There's a bounty of
theater choices to keep you entertained this weekend, with productions
on venues all over town — including on several university campuses. Here
are a few you might want to check out.
Edgecliff Theatre, which has presented shows at the Columbia
Performance Center on Cincinnati's East Side for quite a few years, has
been itinerant this year while they seek a new home. They're completing
their fifteenth season with a production of David Auburn's Proof
at the Aronoff Center's Fifth Third Bank Theater, which looks like it's
where they'll land for their next season. (I'll be writing more about
NET in my next CityBeat "Curtain Call" column on April 24.) I
attended the show's opening on Wednesday, and it's a solid production of
a very engaging play, the winner of the 2001 Pulitzer Prize. Greg
Procaccino, NET's former artistic director, has returned to stage a
simple but effective production that features Rebecca Whatley as
Catherine, the anxious, self-doubting young woman who has been a
caregiver for years for her father, a renowned math professor whose
mental instability has been a factor and a threat in his daughter's
life. The show has several gripping twists and turns, as well as a
satisfying resolution. Through April 27. Tickets: 513-621-2787.
Last week I was at the opening of Cock,
a regional premiere and Know Theatre's second production of the season. (CityBeat review here.)
It's the story of a man falling out of a gay relationship and into one
with a woman; he's torn by indecision and doubt about which way to go.
The show is staged (by director Brian Robertson) like a cockfight, with
the characters "pecking" at one another emotionally. It's also presented
in an unusual setting, bertween two rows of bleachers (like a cockfight
arena), so you're close to the action and able to see how others are
responding. It's a fight to the finish, and you can never be certain of
the outcome. Strong acting and a very contemporary, well-written script
by British playwright Mike Bartlett. Through May May 11. Tickets: 513-300-5669.
This is the final weekend at the Carnegie in Covington for the hard-hitting musical Parade
by composer and lyricist Jason Robert Brown and playwright Alfred Uhry.
(CityBeat review here.) It's based on the true story of Leo Frank, unjustly accused of
murdering a young teenaged girl working in the factory he managed in
Atlanta in 1913. A Jew from New York, Frank was the target of profound
anti-Semitism and never had a realistic chance to defend himself,
although his wife tried mightily to expose the prejudice. It's a
powerful production, featuring a cast of musical theater talent from
UC's College-Conservatory of Music, directed by Dee Anne Bryll and Ed
Cohen. The show is not easy to watch, but it's deeply moving. Through
Sunday. Tickets: 859-957-1940.
years since 1981, Northern Kentucky University has presented the Year
End Series Festival — shortened to the "YES," ten days of presentations
of three world premieres. This year's shows are a murder-mystery farce, Heart Attack with a Knife by Oded Gross; David L. Williams Spake, a drama set in Siberia; and a comic fable about fame and friendship, Furbelow
by J. Stephen Brantley. YES is a gargantuan undertaking, and it
represents how NKU prepares its drama students for careers in the
theater. Shows are presented in rotating repertory, so you should check the Web site for specific performance dates. Tickets: 859-572-5464.At other
area universities this weekend: At the Cohen Family Studio Theater at
UC's College-Conservatory of Music, you can see a production of Emily
Mann's Execution of Justice (UC's College-Conservatory of Music, through Sunday, 513-556-4183),
a new docu-drama about the trial of Dan White for the murder of Harvey
Milk, San Francisco's first openly gay Supervisor and Mayor George
Moscone. It's staged by retiring UC drama professor Michael Burnham. And
for musical theater fans, you can see Stephen Sondheim and James
Lapine's popular fairytale musical Into the Woods at Miami University (through April 27, 513-529-3200).