WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
November 15th, 2012 By P.F. Wilson | Music | Posted In: Live Music, Reviews, Local Music

Review: LIGHTS at 20th Century Theatre

lights liveLIGHTS in concert (Photo: Shandi-lee)

Over the summer, a video turned up on YouTube of Canadian chanteuse LIGHTS doing an acoustic cover of U2’s “I Still Haven’t Found What I’m Looking For” for Britain’s Secret TV. While her bubbly personality was evident, she did look tired and her voice was not at its usual strength. Fans wondered if the rigors of touring were taking their toll.

But there were no such concerns Wednesday (Nov. 14) night when LIGHTS played at the 20th Century Theatre in Oakley. Winding down her Siberia tour, the Toronto native sounded absolutely amazing.

Two things are sometimes forgotten in the electronic swirl of LIGHTS’s musicshe can sing and she can write. Vocally she was at the top of her game Wednesday. Parts that were sung in a more wispy tone on her two albums were belted out with force, topped with high notes that hadn’t come out in the studio versions.

And, oh yes, the writing.

Proving she has both vocal and songwriting skills, LIGHTS excused her band mid-show to deliver a piano-and-voice-only version of “Saviour.” Showing it’s not all done with machines (as she did on her 2010 acoustic EP), LIGHTS delivered a tune that, like her others, can stand apart from the technological wizardry. In between scaling her vocal range, she invited the audience to sing along, which they did enthusiastically (the track was an Alternative radio hit in 2009).

LIGHTS has always toured with a band, pulling a page out the the Thompson Twins’ playbook from back in the day. Chief Twin Tom Bailey always reasoned that it was just more visually pleasing to see musicians on stage and not just three band members bopping around to sequencers and backing tapes. Sonically it helps, too, of course, as the players can improvise and add new dimensions and dynamics to familiar songs. Indeed, one of LIGHTS’s keyboardists even broke out a guitar for one song, playing the keyboard lines on that instead of his synth.

The Arkells from Hamilton, Ontario, opened the show with their brand of Canadian Alt Rock. Lead singer Max Kerman told the crowd that his hometown was the best Hamilton in the world, not the Ohio city just up I-75. The crowd got the joke, which sort of surprised and bemused Kerman.

“I was expecting some boos for that,” he said before the band launched into “Pulling Punches.” The Arkells provided a nice counterpoint to the main act’s fine, occasionally dub-steppy Synth Pop and the group seemed to have several fans of their own in attendance.

LIGHTS returns to Canada at the end of this run of shows, where she will spend the holidays with her new husband, Blesshefall frontman Beau Bokan. The Arkells will support their countrymen The Tragically Hip throughout the winter.

 
 
11.28.2012 at 03:49 Reply

I attend quite a few concerts around town and my opinion of the sound system at the 20th Century is that it is terrible and it's hard for me to understand how artists continue to play there.  Iris Dement eventually put ear plugs in halfway through her show because she said she coundn't take it anymore.

I have the same opinion of the Madison where I've had to walk out of a show it was so bad.

I'm wondering if anyone else besides me and friends have experienced the same thing.

Funny, but the best sound in town is at Xavier high and Harrison high!

 

 
 
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