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August 3rd, 2012 By Mike Breen | Music | Posted In: Live Music, Local Music, Reviews

Review: 46 Long's 'Tennessee'

Local acoustic Blues duo celebrates new LP release tonight at Arnold's

46long_tennessee

Eclectic acoustic Blues duo 46 Long is set to release its latest full-length, the dynamic Tennessee, tonight at downtown’s Arnold’s Bar & Grill. Showtime is 9 p.m. and the shindig is a freebie. The show will be a brand-new experience for fans of the duo. The group will be debuting a lot of new material and the first set will feature drumming assistance from percussionist Joe Pro. For 46 Long's second set tonight, the twosome will go "full band" with the addition of bassist Bobby Loggs and some other special guests.

Though “dynamic” and “eclectic” might not be the first words to come to mind when you think “acoustic Blues duo” — all three words suggest inherent limitations — 46 Long is both of those and more. Eschewing Blues clichés while still staying fairly faithful to the music’s rich tradition is a difficult balancing act to pull off, but Tennessee finds the twosome subtly integrating sounds from a broad spectrum of influence without losing their core, distinct sound.

In the end, it’s one of the more creative Blues releases you’ll likely hear all year, yet the detours and tangents shouldn’t deter (most) purists.

On Tennessee, Blake Taylor (who primarily sings and blows a mean harmonica, though also contributes keys, percussion guitar and, uh, “crowbar” on the album) and Jonathan Reynolds (who sings and plays guitar while also providing bass and percussion) start things off with the stanky groove of “More,” then take the listeners through deft interpretations of gritty, Delta-esque Blues (like the title track), gruff Tom Waitsian eccentricity (“Lock It Up or Lose It”), full-bodied, swaggering AltCountry (a cover of the Starkweathers’ “One for Her, One For Him”), boogying Lyle Lovett-like Swing (“Don’t Drink”) and stompin’ Garage Rock (“Something Strange”).

Other standouts on Tennessee include a sparsely percussioned take on Morphine’s “Thursday,” and “The Best Revenge,” a dark, ominously atmospheric track that’ll send creepy shivers up your spine.

The recording is refreshingly natural (with only some distortion here and there to add shadowing), the perfect setting to wrap your ears around the duo’s ace musical skills. Taylor once again proves he’s one of the best Blues harmonica players in the region, playing the mouth harp like a saxophone, a vocal part, a rhythm guitar or pretty much any other instrument you can think of.

If you’ve given up on the Blues because you think you’ve heard it all before, pick up Tennessee and let 46 Long show you otherwise.

Here's a live clip of the duo performing the new LP's title track.


 
 
 
 
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