One of Cincy’s more popular Pop Punk bands has decided to call it quits. But first, they're giving fans some new music and one final blow-out show to remember them by.
The quintet Loudmouth has played well-attended gigs regularly around town for the past half decade or so, eventually becoming headliners of self-booked multi-band shows at places like Madison Theater in Covington. Tonight, the group returns to the club for its farewell show and the release party for its final album, the eight-song Future Boredom.
The band is splitting because guitarist Mike Ulanski took a job teaching English in Abu Dhabi.
I sent Loudmouth a few questions about their experiences as a band in Greater Cincinnati and their individual plans moving ahead. The tight knit group of pals got together and answered them as a band.
CityBeat: You guys have your last album coming out at the farewell show. Tell me a little about Future Boredom. Was it material you were working on before you decided to split or did you know you were splitting and went in the studio to record these final tunes?
Loudmouth: The songs were written or were in the process of being written before Mike announced that he accepted the job offer, but we all knew this was our last record when we went into the studio. The toughest decisions we faced were which songs to record, and how many we could afford to do without sacrificing the quality of each songs production. Tim and Mike were writing lots of songs at the time, but their styles were heading in two different directions, which can be seen on Future Boredom.
The songs weren’t written about the break up, but they were recorded as if they were the last songs we’d ever do, which means we couldn’t afford to leave anything unsaid. Between Eric Tuffensdam’s (Moonlight Studios) expertise and our previous studio work with him, we definitely got what we wanted out of this record, a definitive and uncompromised collection of our best written songs.
CB: You guys had a great run of about four or five years. What are you most proud of from your time playing around the area?
LM: We’ve been fortunate enough to share a stage with just about every one of the bands we grew up idolizing, but opening for NOFX takes the cake on moments that we’ll remember forever.
But besides that, we have a lot to be proud of, and more importantly a lot to be thankful for. None of the amazing moments we had as a band would have existed without the help of some amazing people. Frank Heulfeld and Kevin McNamee with the Madison Theater, and before that the Mad Hatter, Rome and the Clifton Heights Music Festival (which we’ve only missed one since the beginning of the festival because we were on tour), Rich and the entire Southgate House staff, Adam and CincyPunk Fest, the staff at the Madison Theater, who among other things, talked the cops out of arresting Tim seconds before we hit the stage, Chris Joselyn and Brian Carothers for all their help booking tours.
Above all else, and we mean this with all sincerity, the thing that makes all of us proud and grateful is the support we’ve gotten from day one. We’ve never, not exaggerating, played a show where people didn’t dance by the end of our set. We came up in an age where kids were too cool to dance at shows, and we’ve watched so many great bands play killer sets to a bunch of stone faced hipsters gently bobbing their heads in jaded approval. Those kids got pushed to the back of the crowd when we played, and we couldn’t be more proud to have that kind of effect on people. All that dancing and moshing and shouting of our lyrics translates that people get it, and what’s more, they actually like it, and nothing is more gratifying then having that kind of connection with your friends and fans.
CB: Anything you would have done differently?
LM: Tour. Tour all the time. We did three tours; the last one to Florida was our most successful, but touring would be the No. 1 priority if we could do anything differently. We probably could have been more business savvy and networked a little more, too.
CB: What's been the low point?
LM: The worst show we ever played happened at the Blue Rock Tavern in Northside. There were a lot of people out that night and we were headlining and everything that could have gone wrong did. The P.A. kept over heating, it was 900 degrees and Mike’s guitar broke four songs in, and there was no replacement. We had to just stop. It was embarrassing and people got pissed.
Moving out of Loudhouse and losing that as a place to party and throw shows was also a bummer. We had to pay for a practice space again, we lost our afterparty, which had become a huge part of our shows, and, of course, we couldn’t invite a bunch of awesome bands to play the basement. The Bike House died shortly after that, and it seemed like Cincinnati’s basement scene sort of dried up all at once. We went from a city who had an entire weekend fest dedicated to basements to having no real basement venues to speak of. That was definitely a bummer.
Shortly after that Sam Duff left the band and the months leading up to and following that time were pretty rough. We practiced in a moldy closet sized room in the back of the Mad Hatter, we weren’t sure who was going to play bass, how we could afford to tour; it was a cold wet winter and things were just all around crappy.
CB: Can we expect future musical projects from the Loudmouth members? Any concrete plans as of yet?
LM: None of us will ever stop playing music, but where, how and with who is bound to change. Tim, Adam Bret and Chris have already talked about their next project and things are in the works.
Mike will be playing acoustic Journey covers at an open mic in Abu Dhabi to pay rent.
CB: What can people expect from the last blow out concert from Loudmouth?
LM: You’ll have to come to find out.
Tonight's 9 p.m., all-ages show features a great support bill: The Frankl Project, Horsecop, Situation Red and The Milky Way Persuasion. Tickets are $5.
Visit www.loudestmouth.com for more on the group and to sample some tunes.