It’s never easy for a band to follow up a hugely successful album, but The Cribs had a doubly tough task after the overwhelming response to 2009’s Ignore the Ignorant, which was the group’s first Top 10 U.K. hit, outselling 11 of the 13 Beatles reissues that were released the same week. At least part of Ignorant’s success was attributable to the presence of former Smiths guitarist Johnny Marr, who joined the Cribs after a chance 2008 meeting with bassist Gary Jarman. Marr’s departure in 2011 returned the Cribs to its original band-of-Jarman-brothers lineup for its fifth album, In the Belly of the Brazen Bull.
In many ways, Brazen Bull hearkens back to the Cribs’ early energy while tapping into the creative evolution that’s been percolating within the trio/quartet over the past decade. The Cribs’ raw conviction is all over the Nirvana-channels-the-Pixies-like ring-and-roar of the album’s first single, “Come On, Be a No-One,” two-and-a-half minutes of barely constrained Punk howl, an ethic that resurfaces on “Anna” and “Chi-Town.” At the same time, the newly reinstated trio displays plenty of Pop maturity on gems like “Jaded Youth” and “Confident Men,” where the Jarmans’ love of all things Cobain is leavened with a healthy respect for The Beatles’ melodic gifts.
The Cribs effectively demonstrate that the ultimate commercial success of In the Belly of the Brazen Bull isn’t nearly as important as the brothers’ ability to translate all of their influences without the taint of compromise.