WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home · Articles · Music · Sound Advice
Sound Advice
 

Guttermouth

Monday • Southgate House Revival

0 Comments · Wednesday, April 9, 2014
Punk Rock covers a lot of serious, meaty topics — individualism, anger, materialism, rebellion. But as Guttermouth has proven, Punk Rock can also be about spitting in the face of propriety for the sheer pleasure of it: They are reportedly banned in Canada and have a song about a donkey sex show.  

Twenty One Pilots with Juicy J, NONONO and Hunter Hunted

Saturday • Fifth Third Arena

0 Comments · Tuesday, April 1, 2014
Twenty One Pilots’ fervent fan base radiates outward from their Columbus headquarters, so it’s no surprise that the faithful showed up in full force for 2012 Bunbury Music Festival in Cincinnati like a mellow Mongol hoard.  

Bobaflex

Saturday • Northern Kentucky Convention Center

0 Comments · Tuesday, April 1, 2014
Metallers Bobaflex's most recent recording is last fall’s self-released and short but shredding Charlatan’s Web, featuring the leering Kiss-meets-Van Halen “School for Young Ladies” and the my-fist-your-cold-face dirge/anthem “I’m Glad You’re Dead.”  

Dom Flemons with Buffalo Wabs & the Price Hill Hustle

Monday • Southgate House Revival

0 Comments · Tuesday, April 1, 2014
For eight years, Dom Flemons was a part of the retro-yet-groundbreaking Carolina Chocolate Drops. After a great run that included a Grammy and wide-spread critical acclaim, Flemons decided to break away last year and strike out on his own.  

St. Vincent

Tuesday • Bogart’s

0 Comments · Tuesday, April 1, 2014
Annie Clark, aka St. Vincent, is a mysterious lady whose increasingly impressive musical output is informed by her expressive guitar playing and catchy, intricately crafted songs. St. Vincent’s just-released, self-titled fourth album is rife with contradiction, syncopated rhythms and surreal flourishes, the work of an artist who continues to expand her horizons.
  

New Bums with Pete Fosco

Thursday • MOTR Pub

0 Comments · Wednesday, March 26, 2014
Ben Chasny and Donovan Quinn, doing business as New Bums, are the sound of Bob Dylan and Neil Young raised as brothers on the mean streets of New York, singing dark songs of contemporary survival and busking for change with a cardboard sign that reads “Paul Westerberg Relief Fund,” although they’re spending the money on 40s and weed.
  

Johnette Napolitano

Thursday • Southgate House Revival (Sanctuary)

0 Comments · Wednesday, March 26, 2014
It seems almost unfathomable, but Johnette Napolitano has been a musical fixture for over three decades, with her pummeling bass style, distinctive and alluring dusky vocal rasp and an almost Zelig-like knack for aligning herself with some of Rock’s more prominent personalities.
  

Corina Corina and Abiyah

Friday • Northside Tavern

0 Comments · Wednesday, March 26, 2014
Veteran, multifaceted Cincinnati Hip Hop artist/promoter Abiyah has teamed up with Brooklyn, N.Y.’s R&B/Hip Hop vocalist Corina Corina (whose latest album, The Free Way, was just released) for a two-week jaunt through the East Coast and Midwest, which began on Corina’s turf in mid-March and comes to Abiyah’s home base this week.   

Run Boy Run

Thursday • Southgate House Revival (Lounge)

0 Comments · Wednesday, March 26, 2014
Young Arizona Roots/Bluegrass quintet Run Boy Run clearly has a reverence for what’s come before them — most of them grew up in musical families connected to the Arizona Bluegrass scene. But the subtly integrated elements of Classical music, Jazz and Pop give the group enough of a slant that they are often dubbed a “progressive” act.
  

The Band of Heathens with Josh Eagle

Friday • Ballroom at the Taft Theatre

0 Comments · Wednesday, March 26, 2014
While Austin, Texas’ South by Southwest extravaganza continues to jump the shark due to corporate excess and misdirection, the capitol city continues to be an exceptional music town. The Band of Heathens came out of Austin’s rich music scene with a lot of buzz in the mid-’00s.
  

Blind Boys of Alabama

Friday • Greaves Hall (Northern Kentucky University)

0 Comments · Monday, March 17, 2014
The legendary five-time Grammy winners Blind Boys of Alabama have steadily brought inspired grooves to the stage since the group’s beginnings in the 1930s. Greater Cincinnati has witnessed some special shows by the group, especially their gig at the2006  Tall Stacks Festival, when lead singer Jimmy Carter was led into the  crowd with a mic where he proceeded to lift up the audience with goodness and light and soul.  

Grouplove

Thursday • Bogart’s

0 Comments · Monday, March 17, 2014
The story of Grouplove is like something straight out of the ’60s. The band members met at an artist commune on the Greek island of Crete. All struggling to pay their bills with their various forms of art, they each stumbled upon the right people at the right time. Eventually they found themselves living in a basement in Crete, able to focus on art instead of working to pay rent.
  

Houndmouth with Rayland Baxter

Friday • Southgate House Revival

1 Comment · Monday, March 17, 2014
On Houndmouth’s full-length debut, 2013’s From the Hills Below the City, you can tell the quartet is smitten with the majestic charm of Americana masters The Band. “Penitentiary,” the calling-card tune that triggered Internet buzz and eventually drew the interest of famed indie label Rough Trade, could be mistaken for a Music from Big Pink bonus track.  

von Grey with Ron Pope and Andrea Nardello

Thursday • Southgate House Revival

0 Comments · Monday, March 17, 2014
Last year was a momentous one for Indie/Alt Folk quartet von Grey, with a relentless road schedule, television appearances on The Late Show with David Letterman and Conan and triumphant debuts at South By Southwest and Bonnaroo.
  

Peach Kelli Pop with Bummer’s Eve and Black Planet

Wednesday • The Comet

0 Comments · Monday, March 17, 2014
Getting her start playing drums with Canadian Garage Pop trio The White Wires, Allie Hanlon began Peach Kelli Pop as a solo outlet for her own songwriting. Peach Kelli Pop (Hanlon does all of the recording and friends join her on the road) is modeled after some of the classics of vintage Pop music.