You have one last
chance to catch a free MidPoint Indie Summer show on Fountain Square this year and it’s a doozy. Joining
Louisville, Ky.’s great Indie/ElectroPop band The Pass, plus excellent
locals The Yugos and newer crew Joey Cook and the Keepers of the Secret
(one of the Pomegranates member’s new projects), are acclaimed eclectic
Indie Pop rockers Islands.
Gin Blossoms blew up and deflated quickly, going from mondo-selling MTV staples behind the relentlessly catchy single "Hey Jealousy" — an era-defying Power Pop oasis in a desert of Grunge — to extinct by 1997.
Michael Cleveland is simply one of the best fiddlers in the world. Cleveland will be a part of a big
three-day lineup (Friday-Sunday) at the Whispering Beard Folk Festival
in Friendship, Ind., which also includes The Fairfield Four.
There can’t be too many people in Rock’s
vast audience who are scratching their heads and wondering why Nashville
Pussy isn’t a household name. For those who may be baffled by Nashville
Pussy’s lack of hot-and-cold-running-champagne success, allow me to
paraphrase James Carville: It’s the Pussy, stupid.
Like many good singer/songwriters,
Timothy Showalter harnesses his personal dramas and setbacks into potent
songs about growing up in Goshen, Ind., and wrestling his demons. On his fourth record, HEAL,
the now Philly-based Showalter, aka Strand of Oaks, sheds some of the
minimal Folk Rock from his previous endeavors and delves into a world of
warm, synth-driven beats and guitar Rock.
Canadian-born Aubrey Drake Graham, better
known as simply Drake, has proven to be a talented triple threat — a
dramatic and comedic actor, a rapper with R&B authenticity and a
songwriter for himself and others.
Man Man’s greatest sonic attributes could
also be considered its most significant liabilities, particularly by
labels looking to hitch their wagons to a commercial cash cow. And
although Man Man has somehow managed to infiltrate the mainstream to a
small degree with adjustments to their core sound, the band (which
fluctuates from duo to trio to beyond) has retreated only slightly from
its home on the musical fringe.
Brooklyn, N.Y., band Old Monk has referred to its music as “Prog Punk,”
an interesting descriptor considering the two genres were diametrically
opposed back in the day. It reminds me of a scene from the excellent
documentary movie New York Doll, about bassist Arthur “Killer” Kane of
the Proto Punk band New York Dolls, where Chrissie Hynde and Morrissey
are sitting around railing against the excesses of Prog Rock and how it
actually birthed Punk.
With internationally renowned Blues/Rock guitarist Walter Trout recovering from a liver transplant, his bandmates in The Walter Trout Band are touring with U.K. guitarist Danny Bryant and Walter's son Jon in a celebration of his music and to raise awareness about the importance of organ donation.
At first blush, United Nations is a
thrilling, adrenalized Punk band with the sonic markers that define the
genre — political lyrics that range from personal to global;
double-clutched drumming; riffs that careen wildly from oddly melodic to
lethally brutal; vocals that run the gamut from singing in a normal
register to shrieking like a panther caught in a leg trap to the
guttural growl of a Babylonian misery demon.
Cheers Elephant is a blatantly hook-laden
AltPop band that brings a sense of humor and 1960s-era verve to their
sound. With reverb-a-plenty and blue-sky harmony vocals, the up-tempo
band keeps its big beats front and center.