Sherman, set the Wayback Machine to 1983.
We’re visiting Bogart’s in Cincinnati, Ohio, where young publicity
manager Brian Baker is witnessing the second area appearance of R.E.M.,
which he’s vigorously advertised for a net result of just over 300
attendees. Local Art Pop provocateurs Junta have just finished, and the
stage is taken by The Replacements, a last-minute addition via R.E.M.’s