The story of Damien Jurado’s relationship with Punk Rock seems too symmetrical, too fortuitous and too rare to possibly be true. Somehow, though, all the pieces match.
Now 39 and based out of Seattle, Jurado was once a 14-year-old
growing infatuated with Punk.
The Cincinnati-based quartet Hickory Robot is known for its acoustic music,
blending Bluegrass-influenced grooves with other Roots music fare.
However, on the recently released album titled Sawyer, the group opens up its sound by occasionally using electric instruments and percussion to bring new songs to life.
In more ways than one, 2011’s Adventures in Counter-Culture
proved to be a pivotal album for Columbus MC/producer and Weightless
Recordings founder Blueprint. As his first solo effort in six years, its
critical acclaim introduced him to a second audience who was unaware
that his discography ran as deep as a decade.
I’m grateful to have known Marcus
“Skandal Da Ruckus Man” Mitchell the last 15 years. The veteran MC,
producer, DJ and the man behind Sharkface Entertainment died on Oct. 10
at 36 after a bout with acute leukemia.
Culture Queer is all about anticipation.
In the Indie/Art Pop group’s decade-plus existence, the Cincinnati
quartet (often aided by a support staff of A/V techs, go-go dancers,
etc.) has turned out just a trio of full-length studio efforts —
including the just released Nightmare Band — an EP and a single.
And Culture Queer’s live presence has been equally sporadic; the group’s
calendar listing only pops up on approximately a quarterly basis.
Jeff Roberson is no longer “the most
hated man in Folk,” as he was dubbed by former WNKU program director Dan
Reed. In fact, since Summer’s Here, the former Len’s Lounge frontman’s 2008 sophomore solo effort, he’s been preoccupied with matters decidedly unrelated to Folk.
Over-the-Rhine's new energy was on full display
during the 11th annual MidPoint Music Festival, which last week drew
thousands of music lovers from across the region to a dozen venues hosting musicians from all over the world.
Blake Mills is busy. The 25-year-old
guitar prodigy has worked relentlessly in recent years as an in-demand
session and touring musician, collaborating with a wide range of artists, nearly all of whom use hyperbolic
language to describe his unique talents. And now he’s touring with Fiona Apple,
both as her guitarist and as her opening act.
One of the real changes in how Ani
DiFranco approaches live performing these days may be something that, in
a strict sense, isn’t actually part of what she does on stage. But rest
assured, DiFranco says, it’s
making a difference in her performances.
There’s a very thin line between knowing
what you want and being thankful for what you have. A few inches to one
side could see you constantly unhappy with what you earn. An inch on the
other side and you’re bound to never earn anything new. Cincinnati’s on-the-rise Indie Folk duo
Young Heirlooms walk that line. They’re overwhelmingly thankful for the
support from Cincinnati and respect from their fans. Their gratefulness
is conveyed nearly constantly, onstage and off. But, just under the surface, they’re itching for more.
If there’s a recurring theme that seems to
sum up the events of the past few years for Texas trio Girl In A Coma (including
the trio’s latest album, Exits & And All The Rest) it boils down to one word — growth.