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Dylan Dog: Dead of Night (Review)

Neo-noir tale needs more pulp

0 Comments · Monday, May 2, 2011
Post neo-noir meets 'Shaun of the Dead' with the intention of producing something that might approach the inspired fanboy reverence that Guillermo Del Toro brings to his outings. That's a hell of a lot to ask for from Kevin Munroe, the writer-director of 'TMNT.' Grade: B-plus.  

Hoodwinked Too! (Review)

Animated sequel fails to engage

0 Comments · Monday, May 2, 2011
The follow-up to the Miramax sleeper from 2005 swaps out Anne Hathaway for Hayden Panettiere as the voice of Red Riding Hood who hooks up with The Big Bad Wolf (Patrick Warburton) as part of the team to investigate the disappearance of Hansel and Gretel. Granny lends a hand, but this is supposed to be all about Red and the Wolf, and unfortunately that’s the problem. Grade: D.  

Fast Five (Review)

Action series' latest is mindless, B-movie gold

0 Comments · Monday, May 2, 2011
After a quick rise on the indie scene with 'Better Luck Tomorrow,' Justin Lin helms his third outing in this fast-paced franchise and brings together an all-star team of players from the past installments to pull off a ludicrous job in Rio. Grade: B-plus.  

Winter in Wartime (Review)

World War II drama is efficient, absorbing

0 Comments · Saturday, April 30, 2011
Updated for a skeptical age, this new World War II movie comes impeccably groomed in period-attentive tans and grays; is written in non-heroic dialogue to suggest ambiguities in the good-evil dichotomies of war stories past; and is sufficiently hopped-up with thrills. Grade: B-.  

Prom (Review)

Disney offers up a prom no one would want to attend

0 Comments · Friday, April 29, 2011
Disney teams up with Joe Nussbaum ('Sydney White') to celebrate prom season in what amounts to a Disney Channel television movie that lacks even the broad laughs one might expect from a kid’s dramedy. Grade: D.  

Season’s Greetings

A semi-discerning look at the summer’s multiplex movie slate

0 Comments · Wednesday, April 27, 2011
Let’s face it — we need summer movies. The money they take in is a positive sign of life in a movie business that’s been on the proverbial landslide for the last few years. While the 2011 lineup appears to be sequel and reboot heaven, there’s plenty more to make it an appealing grab-bag of options.  

African Cats (Review)

Nature doc celebrates the importance of family

0 Comments · Monday, April 25, 2011
Following closely on the heels of 'Born to Be Wild,' Disneynature unveils 'African Cats.' Samuel L. Jackson narrates this seasonal journey through a Kenyan reserve that spotlights a mother lion raising a female cub as part of a pride and a single female cheetah struggling to keep her five cubs safe. Grade: B-.  

Atlas Shrugged: Part 1 (Review)

Ayn Rand classic turned into lifeless movie

0 Comments · Monday, April 25, 2011
Director Paul Johansson’s stilted Ayn Rand adaptation sets the story in the near future (2016), where the current economic downturn continues to spiral into the abyss but somehow the railroad has become the key to reversing the trend. Grade: D-.  

Madea's Big Happy Family (Review)

Tyler Perry fails to elevate his latest beyond pedestrian riffs

0 Comments · Monday, April 25, 2011
Madea’s 'Big Happy Family' brings Loretta Devine further into the Tyler Perry troupe after her dazzling turn in 'For Colored Girls.' Unfortunately, she’s not able to elevate this material beyond its pedestrian riffs on black life. Grade: D.  

Water for Elephants (Review)

Film adaptation of popular novel a big-top full of creaky cliches

0 Comments · Monday, April 25, 2011
Seeking to prove he had the chops for more dramatic fare, Francis Lawrence directed this adaptation of Sara Gruen’s novel by noted screenwriter Richard LaGravenese, but he ended up hedging his bets a bit with the casting of 'Twilight' heartthrob Robert Pattinson as the dreamy veterinarian in this tragic sideshow romantic triangle. Grade: C-.   

Trust (Review)

Powerful drama looks at the issue of online predators

0 Comments · Thursday, April 21, 2011
David Schwimmer's sophomore effort as a director is a tour de force of socially relevant dramatic filmmaking. Clearly a labor of love for Schwimmer and his outstanding ensemble, 'Trust' comes at you from all angles. Grade: A.   

Rubber (Review)

Quentin Dupieux’s horror satire centers on a killer tire

0 Comments · Wednesday, April 20, 2011
It’s tempting to call Rubber an intimate glimpse into the tire condition. But that might seem excessively flippant. True, it’s hard not to describe this new independent film about a killer tire, which can be seen first-run on Time Warner Cable’s video-on-demand platform, without allowing for some humor.  

Come Again?

The second coming in the age of sequels and reboots

0 Comments · Wednesday, April 20, 2011
What better time, it would seem, to explore the life of God as Man? Our heroes are darker, more conflicted beings, grappling with ethical quandaries and the nature of morality. Machines have become more human as we have begun to mix and co-mingle with them. If we cannot re-imagine Jesus now and make him relevant, then when?  

Scream 4 (Review)

Horror franchise needs a fresher update

0 Comments · Monday, April 18, 2011
The most exciting part of the latest installment in horror maestro Wes Craven and writer Kevin Williamson's slasher deconstruction series is the intro, which is how the original was able to grab audiences — by offing a familiar actress during the pre-title sequence, it meant that anything could happen. Grade: C-plus.  

The Conspirator (Review)

James McAvoy and Robin Wright shine in true-life period piece

0 Comments · Thursday, April 14, 2011
Robert Redford's first directorial effort since his 2007 anti-war polemic 'Lions for Lambs' is a striking Civil War courtroom drama about how the assassination of President Lincoln called into question the possible participation of Mary Surratt, the mother of a young man who befriended John Wilkes Booth and his accomplices. Robin Wright soars to dramatic heights in her restrained performance as Surratt. The effect is reminiscent of Jessica Lange's finest work. Grade: B-.