Home · Articles · Screens · Movies

Sympathy for the Devil

Satan on screen for Halloween

2 Comments · Wednesday, October 26, 2011
The Devil. Beelzebub. Mephistopheles. Baphomet. Scratch. Old Nick. Lucifer. SATAN. The supernatural being who tempts man’s soul to sin and ruin from his fiery underworld throne goes by many names (and if Jagger and Richards are to be believed, he wants us to guess them, too). He’s a creature — mythical or otherwise, depending upon where you fall ideologically — of many different faces, as well.   

The Three Musketeers

Latest adventure adaptation lacks subtlety, logic

1 Comment · Monday, October 24, 2011
Paul W.S. Anderson’s new retelling of Alexandre Dumas’ classic tale features his usual action-oriented antics — explosions galore and hi-tech freeze-frame combat sequences — as well as his muse, Milla Jovovich.

The Mighty Macs

True story not dynamic or unique enough for big screen

0 Comments · Monday, October 24, 2011
Nothing about this true story really feels organic and competently structured, but as it passes from moment to moment, the movie begins to score a few sentimental baskets and maybe it even starts to believe in itself enough to win a few hearts.  

Paranormal Activity 3

Series continues with another satisfying fright fest

0 Comments · Monday, October 24, 2011
The creator behind this horror phenomenon (Oren Peli) has been able to successfully pass it on to others, first to director Tod Williams, and now to Henry Joost and Ariel Schulman (of Catfish fame) with little or no negative return on the creative investment.   

The Way

Emilio Estevez makes a road movie for our existentially confused times

0 Comments · Thursday, October 20, 2011
  Is it possible to make a movie about religious faith — why it works for some people, why it doesn’t for others — that explicates the matter in ways that anyone can appreciate, even if they  

Johnny English Reborn

Rowan Atkinson delivers another mildly amusing Bond spoof

0 Comments · Thursday, October 20, 2011
  While it doesn't live up to the quirky physical comedy the incomparable Rowan Atkinson is capable of, this follow-up to his 2003 spy spoof functions well enough as a PG-rated comedy for kids.  

The Thing

Yes, another lackluster horror retread

0 Comments · Wednesday, October 19, 2011
Mary Elizabeth Winstead headlines capably enough as a researcher with enough smarts and common sense to recognize the true potential of an unknown and constantly evolving thing discovered by a team of scientists in Antarctica in this John Carpenter rerun from Matthijs van Heijningen Jr.  

The Long Road to Fatherhood

Estevez and Sheen walk us back into the embrace of our families

0 Comments · Wednesday, October 19, 2011
“We don’t get over our fathers.” This comment, from Martin Sheen, came during a recent interview with the star of The Way, a new film written and directed by Sheen’s son Emilio Estevez, who was also presented and seated next to me. The father-son team was back home — Sheen is a Dayton native — as part of a bus tour promoting the film, and both men were more than willing to chat with me about El Camino de Santiago.  

The Big Year

High-profile cast can't overcome middling story

0 Comments · Saturday, October 15, 2011
Director David Frankel takes a story of single-minded pursuit and squeezes it into a convenient package — albeit one that doesn't feel as though it has all that much to do with the subject at hand. Inspired by Mark Obmascik's fascinating nonfiction book, The Big Year follows three avid birders trying to identify the most individual bird species in North America over the course of one calendar year.  


Legendary race-car driver gets documentary treatment

0 Comments · Saturday, October 15, 2011
Even if you couldn't give a damn about fast cars chasing their tails around a track, this British-made documentary about F1 racing legend Ayrton Senna is still undeniably gripping stuff. Senna skips t  


Someone should have stopped Craig Brewer's remake

0 Comments · Tuesday, October 11, 2011
The barn door has completely blown off the hinges in this big twister of activity and touched down in the raging river far from home. But it is now time, in the aftermath of this storm of Hollywood remakes, for someone to evaluate the damage and take it upon themselves to slap another door up there — a better, stronger barrier to guarantee that there will be no more remakes for a season or two.  

Machine Gun Preacher

True story hampered by muted performance from Gerard Butler

0 Comments · Thursday, October 6, 2011
The story of Sam Childers is one of a bad man reformed, but it doesn’t exactly adhere to the typical arc. Apparently, Childers was a small-time biker-criminal, a snatch-and-grab guy who was in the game for the cash and the highs (both adrenaline and drug varieties), and he wasn’t afraid of things getting messy.   

Real Steel

Family-friendly robot-boxing story needs more grit

0 Comments · Thursday, October 6, 2011
Charlie Kenton (Hugh Jackman) is a former journeyman boxer who attempts to regain his self-respect and that of the son (Dakota Goyo) he abandoned years ago through the sport of robot boxing (think Rock-Em, Sock-Em Robots for the virtual age). The cute, Rocky-meets-The Transformers vibe inadequately hides the fact that the story is loosely based on a piece from author Richard Matheson.  


Gus Van Sant delivers odd, arch teen romance

0 Comments · Thursday, October 6, 2011
At his best, Gus Van Sant strikes the core of human emotion, especially the disaffected (Drugstore Cowboy, My Own Private Idaho) that most indie purveyors wouldn’t know anything about if it weren’t for his work. Yet Restless isn’t one of those films.   

Queen City Convert

'Ides of March' actor Max Minghella talks Cincinnati, Clooney and Gosling

0 Comments · Wednesday, October 5, 2011
Max Minghella is no stranger to film sets. As the son of the late filmmaker Anthony Minghella, the now-26-year-old Max would watch as his dad worked with a bevy of capable actors and crew on such films as The English Patient, The Talented Mr. Ripley and Cold Mountain — experiences that still inform his own approach as an actor today.