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The More the Academy Changes...

0 Comments · Tuesday, January 31, 2012
Let the games begin. For audiences tired or uninterested in the arcane goings-on of the numerous guilds and critics organizations all attempting to exert some power and influence over the hearts and minds of Academy voters, Tuesday, Jan. 24, must have seemed like the arrival of Christmas after a series of unimaginable postponements and botched rainchecks  

A Dangerous Method (Review)

David Cronenberg allows actors’ methods to shine

0 Comments · Tuesday, January 24, 2012
Danger has been a factor in the recent films of David Cronenberg, but the tension and anxiety has been focused on the physical, the threat of bodily harm and the need to determine where said harm would originate.    

Michel Hazanavicius Lovingly Re-Creates the Silent Film Era

0 Comments · Wednesday, January 18, 2012
Critical backlash and a groundswell of negativity rises at this time of the year in the world of film. The various creative guilds and the major critics groups have issued their nominations for the best films and performances of the past year.    

(The Lack of Real) Carnage

1 Comment · Tuesday, January 10, 2012
It seems fitting to note that Carnage, the new film from Roman Polanski, is an adaptation based on Yasmina Reza’s play Le Dieu du carnage, which translates in English to God of Carnage. Reza penned the screenplay, and much attention was paid to the omission of the “God of” as Carnage arrived in theaters.    

Bolt of Melancholic Blue

Lars von Trier artfully presents the end of the world in Melancholia

0 Comments · Tuesday, January 3, 2012
Jonathan Demme gave audiences Rachel Getting Married, with its melodramaitc depiction of the pre-wedding battle royale between two sisters and complex relationship matrix that weaves among the larger clan and nearly derails the celebration. There would be blood drawn, but there would also be absolution and an inevitable resolution for all parties. Dogmatic director Lars von Trier artfully proposes no such thing.  

The Screening of Life

Ten films that made 2011 one for the ages

0 Comments · Wednesday, December 28, 2011
I have to let you in on a little secret that helps me to define just how special a year in film has been. If a narrative or thematic thread emerges, in particular one that laces through the films that end up earning the top spots on my Top 10, then I have to rank the year in question as one of the greats.  

Is This Real Life?

As usual, compelling documentary films abounded in 2011

0 Comments · Wednesday, December 28, 2011
It irks me to go into a video store that has separate sections for “dramas,” “comedies,” “action” and then, somewhere way in the back, “documentaries.” (Blockbuster calls them “special interest.”) A good documentary can have every bit the drama, comedy, action, romance, etc., of a fictional film. Often, more.    

The Girl Also Rises

David Fincher’s Dragon Tattoo leaves a truly indelible mark

0 Comments · Wednesday, December 21, 2011
The Swedish translation of the first book in Stieg Larsson’s Millenium trilogy is Men Who Hate Women, and the 2009 Niels Arden Oplev adaptation made sure to lay that hatred bare, introducing audiences to the Vanger clan, a Swedish industrial family of the first order with deep and long ties to the Nazis and unhealthy animosity for any with sympathies aligned alongside the better nature of man or God.  

This Is The End?

In 2011, the most ambitious movies often featured inconclusive conclusions

1 Comment · Wednesday, December 21, 2011
One of the most frustrating things about movies — good movies, with quality actors playing interesting characters — is that they too often resort to clichéd endings to wrap up their stories. That’s why it’s refreshing to see that 2011 brought us a spate of movies with quizzical, ambiguous endings.    

Breakout Breakdown

A look at the film world’s best breakthrough entertainers of 2011

0 Comments · Wednesday, December 21, 2011
Several performers were working overtime in 2011. Brad Pitt planted The Tree of Life, then scored with Moneyball and even had time to lend vocal support to Happy Feet 2. George Clooney multi-hyphenated himself as co-writer/director/co-star of The Ides of March and then vacationed as a mere performer in The Descendants.  

Out of the Cloud, Against the Stream

For those who still want a hard copy, 2011 brought an abundance of eclectic, sometimes eccentric DVD releases

0 Comments · Wednesday, December 21, 2011
I get a bit jittery come December. A nervous tick sets in. An anxiety rests deep in the gut. It’s time to pick the best DVD releases of the year. And I have no idea what to choose. Not for lack of selections, of course.    

Reframing the Scene

A pair of recent releases recreate on-set movie magic from earlier ages

0 Comments · Wednesday, December 14, 2011
It is an oft-repeated refrain that the movie industry has settled into what many in the critical circles have deemed lazy practices and thinking, returning to proven ground with a flood of remakes from the (not always so distant) past. The thought process behind remakes is obvious and full of appeal because it is about embracing that feeling of nostalgia.   

A Starlet is Born

Elizabeth Olsen gives a star-making performance, but can she follow it up?

0 Comments · Wednesday, December 7, 2011
In an industry always looking for the next new thing, there might be nothing more exciting than witnessing a star-making film performance.  

The Natural

Shailene Woodley discusses her breakout role in 'The Descendants'

0 Comments · Wednesday, November 30, 2011
Alexander Payne’s long-anticipated return to the filmmaking scene is another slanted, deadpan comedy about the ways in which a relatively ordinary man’s life can go terribly off course. CityBeat recently phoned the 20-year-old actress Shailene Woodley, who plays 17-year-old Alexandra in the film, to discuss the experience of making The Descendants.  


Scorsese delivers wildly imaginative 3-D adventure

1 Comment · Wednesday, November 23, 2011
With Hugo, Scorsese has completely indulged his inner child, the wildly imaginative free spirit in love with the dawn of the age of moving pictures, that initial time of wonder and magic, when children and adults found themselves ensorcelled by the spells and tricks of showmen like George Melies (Ben Kingsley) who dreamed of life under the sea and rocket ships blasting off and landing in the eye of the man on the moon.