If the apocalypse is nigh, then it would
seem that there’s no better place to be than James Franco’s house, where
everybody parties like it’s 1999 (and I wish they had actually dropped
that track into the mix). By everybody, I mean Seth Rogen, Jay Baruchel,
Jonah Hill, Danny McBride, Craig Robinson and, of course, Franco
playing alternate versions of themselves.
Now in its sixth season, Southern-fried vampire drama True Blood (9
p.m. Sundays, HBO) has truly “turned.” What started as a somewhat
realistic take on the genre, suspenseful and sexy with a wink of camp,
is now a full-blown supernatural soap opera.
Something didn’t feel right. After taking in a recent screening of Baz Luhrmann’s The Great Gatsby, I walked out of the theater feeling … off. I was simultaneously anxious, depressed, energized and a little jittery.
The Contemporary Arts Center, through its 2013 Summer Performance Series in “The Living Room” of The Living Room exhibition, kicks off the season with a fascinating performance, Screenage Wasteland,
from Jim Swill, an artist known for his spoken word riffs, short films
and collage work.