Ken Loach (The Wind That Shakes the Barley) continues to offer audiences his British socialist outsider narratives, this time delving into the Depression-Era return of Jimmy Gralton (Barry Ward) to his home in Ireland after a decade spent in exile in the United States.
An Adventureland reunion breaks out in Project X director Nima Nourizadeh’s new movie about a stoner (Jesse Eisenberg) who turns out to be a stone-cold licensed-to-kill government agent deemed to be off the reservation.
Kahlil Gibran’s seminal work gets reimagined as a documentary essay by Gary Tarn (Black Sun) that seeks to illustrate the themes of love, life and loss that The Prophet addressed through its powerful mix of prose and poetry-laced essays, with Thandie Newton providing narration.
Death comes a-calling, and it seems intent on seducing the twin sons (Robert Daniel Sloan and Dartanian Sloan) of a mother (Shannyn Sossamon) who has moved her family to a remote rural house with a connection to a dark past.
One of the few missed opportunities for me from last year’s Toronto International Film Festival from Anne Fontaine (the writer/director of Coco Before Chanel), Gemma Bovery dances along the demarcations that seek to define comedy, drama and romance.
Jon Stewart might not be the only host of The Daily Show —
Craig Kilborn hosted the original program from 1996-98 — but the
comedian-commentator will always be associated with his work on the
show, spanning from 1999 through this week’s final episode of The Daily Show with Jon Stewart (11 p.m. Thursday, Comedy Central).
Having written both the novel and the screenplay for David Fincher’s adaptation of the bestseller Gone Girl, Gillian Flynn hands the reins over to Gilles Paquet-Brenner (Sarah’s Key), who writes and directs this take on Flynn’s novel about Libby Day (Sterling Jerins), a 7-year-old girl whose family is brutally murdered in their Kansas farmhouse.
Following the less-than-stellar box office results of Tim Story’s two previous attempts to bring Marvel’s first family to the big screen, Chronicle director Josh Trank takes over with the assignment of injecting his dark and gritty sensibilities into the mix.
Joel Edgerton has clawed his way up the ladder in Hollywood, moving on up from the foreign indie ranks (The Square and Animal Kingdom) to featured co-starring roles (Warrior opposite Tom Hardy) and spots in larger projects (Zero Dark Thirty and The Great Gatsby).
Director Jonathan Demme seemed to have disappeared from the world of feature films after 2008’s Rachel Getting Married, devoting time to documentaries (Neil Young Journeys) and television (two episodes of The Killing).