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Dardenne Brothers Offer a Raw Look at the Working Class

0 Comments · Wednesday, February 4, 2015
Seemingly spent from months of pimping dozens of Oscar-season hopefuls, the big studios often try to hide their creatively challenged or otherwise flawed releases in the annual cinematic wasteland known as February.  

Who You Gonna Call? Saul Goodman!

0 Comments · Wednesday, February 4, 2015
Better Call Saul (Series Premiere, 10 p.m. Sunday, AMC) looks at the titular character before he was Mr. Goodman.   

Seventh Son

0 Comments · Wednesday, February 4, 2015
Swords and sorcery get a Young Adult reboot in this new fantasy adventure from Sergey Bodrov (Mongol: The Rise of Genghis Khan) focusing on the prophetic notions of a secret legion of seventh sons tra  

Jupiter Ascending

0 Comments · Wednesday, February 4, 2015

  

Mommy

0 Comments · Wednesday, February 4, 2015

  

Mr. Turner

0 Comments · Wednesday, February 4, 2015

  

SpongBob SquarePants: Sponge Out of Water

0 Comments · Wednesday, February 4, 2015

  

Overcoming ‘A Most Violent Year’

0 Comments · Wednesday, January 28, 2015
Two ideas came to mind as I prepared to critically grapple with A Most Violent Year, the new film from J.C. Chandor (Margin Call and All Is Lost).   

Football-centric Fare for Super Bowl Week

0 Comments · Wednesday, January 28, 2015
Football: Most people enjoy the game, some consider the sport their religion and others pretend to not even know what it is, filing it under the athletic umbrella of “sportzball.”
  

Black or White

0 Comments · Wednesday, January 28, 2015

  

Black Sea

0 Comments · Wednesday, January 28, 2015

  

The Loft

0 Comments · Wednesday, January 28, 2015
  

Project Almanac

0 Comments · Wednesday, January 28, 2015

  

River's Edge

(Kino Lorber) 1996, Rated R

0 Comments · Wednesday, January 21, 2015
River’s Edge debuted alongside Blue Velvet at the 1986 Telluride Film Festival.  

Only Lovers Left Alive

(Sony) 2014, Rated R

0 Comments · Wednesday, January 21, 2015
Besides Richard Linklater’s groundbreaking Boyhood, Jim Jarmusch’s latest, the aptly titled Only Lovers Left Alive, was the most engrossing moving-going experience for me in 2014.