Allen turns his attention to the
financial crisis of 2008 and a Bernie Madoff-type named Hal (Alec
Baldwin), one of those Wall Street titans building cloud-based castles
in the sky that blot out both the sun and common sense. He’s gruff and
arrogant, all façade with no substantive core inside his bulked-up
I can’t believe I still watch True Blood, but I’m not ever going to stop. Sure, it’s lost its original spark, but True Blood is an event. Maybe I’ve been glamoured, but from the moment the first twangs of “Bad Things” start playing, it’s on. TB is
meant to be enjoyed with a group of friends, laughing out loud over its
Maybe I’m as juvenile as my wife thinks, but the bit in trailer for Rawson Marshall Thurber’s We’re the Millers
where Jason Sudeikis, as a scheming drug mule who hires a fake family
to smuggle drugs across the border, launches into a Bane voice (spoofing
Tom Hardy’s villain from The Dark Knight Rises) just sends me
into a fit of hysterical laughter.
Schrader has had a long and often tumultuous career in movies. The 67-year-old
Michigan native began his obsession with cinema as a critic in the early 1970s,
one of the most creatively fertile periods in American movie history.
Since 2008, fans of Breaking Bad
(9 p.m. Sundays, AMC) have watched the show’s central character, Walter
White (Bryan Cranston), make like the series’ title and slowly shed his
morals, becoming a more ruthless beast — a far cry from his beginnings
as a meek, sickly chemistry teacher.