WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home · Articles · Arts & Culture · Onstage
Onstage
 
Top Articles from Onstage

Fall Fringe

Know Theatre brings back award winning shows from 2012 Fringe

1 Comment · Wednesday, August 29, 2012
Perhaps you overslept back in June and missed the 2012 Cincinnati Fringe Festival. You now have a chance to make up for it or to satisfy a fall craving for Fringe performances, thanks to the festival’s presenter, Know Theatre of Cincinnati.
  

Rounding Third (Review)

Odd couple concept pleasant and predictable

0 Comments · Wednesday, August 22, 2012
The title of Richard Dresser’s 2002 play, Rounding Third, the current production on board the Showboat Majestic, is a pretty obvious clue that this is a show about baseball.  

Xanadu (Review)

Old cult favorite's strange magic charms audiences at the Carnegie

0 Comments · Monday, August 13, 2012
Summers in Cincinnati tend to have theater in short supply. Thanks to the Carnegie Center in Covington, there’s a bounty of fizzy fun in the form of the very tongue-in-cheek musical Xanadu, staged by Alan Patrick Kenny.  

Never Been Mellow

Alan Kenny stops by to stage 'Xanadu' on his way to a promising theater career

0 Comments · Wednesday, August 8, 2012
Cincinnati native Alan Kenny, fresh from graduate studies and a nearly completed master’s degree from UCLA, is back in town to stage the campy musical Xanadu at Covington’s Carnegie Center. It opens on Saturday for an eight-performance run, through Aug. 26.
  

The Hound of the Baskervilles (Review)

CSC's adept cast has a ball

0 Comments · Sunday, July 29, 2012
The process of translating clichés into high humor is a delicate one. Luckily for Cincinnati Shakespeare Company, the able three actors assembled for a very tongue-in-cheek retelling of the Sherlock Holmes tale The Hound of the Baskervilles know their way around slapstick and shtick.  

Cincinnati Opera's Embodiment of Tango

0 Comments · Wednesday, July 25, 2012
A hybrid of opera, music theater and performance piece, the surreal storyline follows Maria from birth to her arrival in Buenos Aires, where tango seduces her and leads to a life of prostitution. She is murdered and resurrected, becoming the embodiment of tango.
  

George M! (Review)

Red, white and true blue

0 Comments · Thursday, July 19, 2012
George M. Cohan could easily have been mistaken for a whole crowd of people: The American entertainer was known as a playwright, composer, lyricist, actor, singer, dancer and producer. He is the individual who most shaped the art form of American musical comedy. In 1968, the musical George M! took Cohan’s life and made it into a show — a logical step for a man who spent most of his own career writing and performing in his own productions.  

The Foreigner (Review)

Still fresh after 30 years

0 Comments · Sunday, July 8, 2012
I’ve seen Ken Shue’s 1984 comedy The Foreigner in several good productions. It’s one of the funniest plays I know, a well-oiled laugh machine, but if you anticipate what’s happening, you’d think it would diminish the humor.   

Porgy and Bess (Preview)

Cincinnati Opera channels 1930s Charleston in American Classic

0 Comments · Thursday, June 28, 2012
George Gershwin’s Porgy and Bess ranks as America’s most famous opera. Its arias and ensembles are firmly ensconced in the American Popular Songbook: “Summertime,” “I Got Plenty o Nuttin’,” “Bess, You Is My Woman Now,” “I Loves You, Porgy.” “It Ain’t Necessarily So.” No other opera comes close except Carmen, and that’s French.  

Love Conquers All

Cincinnati Opera channels 1930s Charleston in American Classic

0 Comments · Tuesday, June 26, 2012
George Gershwin’s Porgy and Bess ranks as America’s most famous opera. Its arias and ensembles are firmly ensconced in the American Popular Songbook: “Summertime,” “I Got Plenty o Nuttin’,” “Bess, You Is My Woman Now,” “I Loves You, Porgy.” “It Ain’t Necessarily So.” No other opera comes close except Carmen, and that’s French.  

Next to Normal (Review)

ETC's revival of 2011 favorite even more powerful

0 Comments · Wednesday, June 20, 2012
When Ensemble Theatre Cincinnati (ETC) produced the Pulitzer Prize-winning musical next to normal last September, it was an early highlight of the 2011-2012 theater season. Although it’s hard to imagine, ETC’s two-week revival of the show about Diana’s battle with schizophrenia and how that illness affects her family, is even more powerful now than it was nine months ago.  

Tweet Victory

Rob Delaney builds his comedy following 140 characters at a time

0 Comments · Wednesday, June 13, 2012
Many popular comedians are recognized from TV performances, movie work or perhaps a radio program like The Bob & Tom Show. Or maybe they have a popular podcast like Marc Maron or Jimmy Pardo. Rob Delaney has become one of today’s hottest comedians without any of that. Most comedy fans know Delaney strictly from Twitter. (Follow him at @robdelaney, if you don’t already.)   

Ninth Annual Cincy Fringe Sets Records

0 Comments · Wednesday, June 13, 2012
The most successful Cincinnati Fringe Festival since the annual event’s launch in 2004 wrapped up on June 9, boasting a nearly 9 percent increase in overall attendance compared to 2011, from 7,177 to 7,728. More than 230 artists performed, and the number of sold-out performances, 24, set a new record.
  

Ninth Annual Cincy Fringe Sets Records

Freaky fixture in local arts scene brings creativity, community

2 Comments · Monday, June 11, 2012
The most successful Cincinnati Fringe Festival since the annual event’s launch in 2004 wrapped up on June 9, boasting a nearly 9 percent increase in overall attendance compared to 2011, from 7,177 to 7,728. More than 230 artists performed, and the number of sold-out performances, 24, set a new record.  

Silent Bob Speaks Up

Kevin Smith talks podcast, ‘getting old’

0 Comments · Tuesday, May 15, 2012
“We didn’t dream where we were from,” says Kevin Smith of his childhood in Highlands, N.J. “Nobody had an example to point to and say ‘Hey, someone came from Highland and did something big.’ And no one from my family had done anything like that.”