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Top Articles from Onstage

Under a Red Moon (Review)

Glimpse inside a serial killer's sensitive psyche in seesaw game of cat-and-mouse

0 Comments · Monday, November 5, 2012
The “Acid Bath Killer,” as British serial killer John George Haigh came to be known, is the subject of a new play, Under a Red Moon, in a world premiere production at Covington’s Carnegie Center. 
  

Romeo and Juliet (Review)

CSC adds 21st century overlay to Shakespearean classic

0 Comments · Monday, October 29, 2012
Staged by Brian Isaac Phillips, CSC’s artistic director, this production has been modernized. The inhabitants of “fair Verona” wear contemporary clothes, and their entertainment and behavior has  

Titus Andronicus (Review)

Violence and Steampunk style unite for bloody Shakespeare work

0 Comments · Monday, October 29, 2012
Director Jeremy Dubin has provided a different sort of filter for this interpretation of Titus Andronicus, that of the sci-fi genre of “Steampunk,” which presumes that the Victorian ingenuity of Jules Verne and H. G. Wells in the 19th century extended its steam-driven, mechanical technology prevailed in the 20th and 21st centuries.   

Brighton Beach Memoirs (Review)

Playhouse's first Neil Simon staging is honest, heartfelt

0 Comments · Monday, October 22, 2012
It’s surprising that one of the most frequently produced and honored playwrights of the 20th century hasn’t previously had one of his works staged at our award-winning regional theater, but it’s almost worth the wait given the current staging of Neil Simon’s 1983 Tony Award winner, Brighton Beach Memoirs.   

I Do! I Do! (Review)

Fifty years of marriage onstage at Covedale

0 Comments · Monday, October 22, 2012
The folks who run Cincinnati Landmark Productions know their audience: This is the kind of warm-hearted, old-fashioned show that appeals to their subscribers. But I Do! I Do! has really become a history lesson more than a romantic voyage.
  

Blue Man Group (Review)

Now say "Blue Man" — Ready Go!

1 Comment · Friday, October 19, 2012
 Drawing comparisons is a futile way to describe Blue Man Group. It’s a unique form of entertainment that includes music, electronica, childish gross-outs and silliness that owes a lot to the physicality Three Stooges and the silent slapstick of Harpo Marx.   

Mrs. Mannerly (Review)

Irrevent humor anchors ETC's Dale Hodges as straight-laced etiquette teacher

0 Comments · Friday, October 12, 2012
Silverware — and napkin folding and thank-you-card writing — are major topics of conversations in Jeffrey Hatcher’s semi-autobiographical Mrs. Mannerly, but the play is never dull or dry. Who knew place settings could be so entertaining?
  

Bill Burr: Completely Satisfied

1 Comment · Wednesday, October 3, 2012
Bill Burr is undoubtedly a comedian’s comedian, that rare comic who other stand-ups will go out of their way to see. However, Burr also has a sizeable and loyal fanbase that relishes in his observations on everything from Hitler to fast food.   

Through the Night (Review)

Daniel Beaty stands inside six different men and brings them to life

0 Comments · Monday, October 1, 2012
Daniel Beaty’s one-man-show, Through the Night, now on the Shelterhouse stage at the Cincinnati Playhouse in the Park, is an electrifying theatrical examination of fatherhood, family and faith.  

The Music Man (Review)

Showboat production is a celebration of America

0 Comments · Saturday, September 15, 2012
My historic experience with The Music Man makes me a serious judge of whether a production of this iconic show succeeds. As a one-time mayor of River City, I pronounce this one a success.  

To Kill a Mockingbird (Review)

Hope springs eternal in CSC staging of Harper Lee's evergreen tale

0 Comments · Wednesday, September 12, 2012
Mockingbird is about the importance of tolerance and understanding, something not achieved in these circumstances but that seems possible eventually. Those sparks of hope have made this a meaningful tale for a half-century, and CSC has brought the story to life.  

Cat on a Hot Tin Roof (Review)

Covedale stages Tennessee Williams' challenging portrait of a family's corruption

0 Comments · Wednesday, September 12, 2012
Tennessee Williams was a brilliant American playwright, but his works are not easy going for people seeking pleasant entertainment. Cat is not an easy piece of theater: There’s not a likable character in this tale of a greedy, selfish family.
  

From Senate Staffers to ‘Steps’ Satirists

0 Comments · Wednesday, September 12, 2012
The Capitol Steps are on their way to Cincinnati, and they’ll stop at nothing to get audience members laughing as this grueling election year surges forward. The Steps are a group of Capitol Hill staffers turned political satirists, and no party is safe from ridicule when these performers take the stage.
  

The Three Musketeers (Review)

Playhouse production has lots of laughs but could use more heart

0 Comments · Friday, September 7, 2012
Artistic Director Blake Robison's first production is jam-packed with rousing non-stop action, hearty laughs and big storytelling as well as beautiful scenic and costume elements.  

Good People (Review)

Class polarities fuel ETC's meaningful character synergy

0 Comments · Thursday, September 6, 2012
The interplay between characters in Good People is full of believable truth, and ETC director D. Lynn Meyers excels in staging such material. It’s a total package that feels good and real from start to finish.