WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home · Articles · Arts & Culture · Onstage
Onstage
 

The Book Club Play (Review)

Dynamic, fast-paced comedy flips tables on character studies

0 Comments · Friday, March 29, 2013
The Book Club Play  a comedy about five people with some personal history who come together for monthly conversations about books, progresses — perhaps more accurately, regresses — through a series of novels reflecting tastes, aspirations and differences.    

War Horse (Review)

Hand-crafted life-size puppets spin emotional tale with heart and soul

0 Comments · Thursday, March 28, 2013
In addition to the imaginative stage work, War Horse features stage-wide projections, evocative music and more than 30 actors who play numerous roles and quickly assemble simple but suggestive props and bits of scenery.  

A Midsummer's Night Dream (Review)

A dream of a comedy at Cincy Shakes

0 Comments · Monday, March 25, 2013
Cincinnati Shakespeare Company’s staging of A Midsummer Night’s Dream is a hilarious frolic through one of Shakespeare’s most beloved creations. A quirky, energetic reimagining, this production features all the familiar faces.  

Black Pearl Sings! (Review)

Two-person cast shines with heart and soul

0 Comments · Wednesday, March 20, 2013
In a broiling Texas summertime smack in the middle of the Great Depression, Susannah Mullally, a song collector from the Library of Congress, is just about to give up her day’s search when she hears a rich, expressive voice coming from somewhere down a prison hallway.   

The Trip to Bountiful (Review)

Playhouse debut is a deeply heartfelt story about home

0 Comments · Monday, March 18, 2013
Playwright Horton Foote, who died in 2009 at the age of 92, is making a long overdue debut at the Cincinnati Playhouse with The Trip to Bountiful.  

Threepenny Opera (Review)

CCM shines with historical tale of corruption, greed

0 Comments · Friday, March 1, 2013
This CCM production is an engaging if sordid recreation of the creators’ intentions, a bravura performance that serves as a reminder of how theater can provide sharp social commentary. Bravo to Guarino and her student cast for this memorable production.
  

Anything Goes for Bawdy Comic Amy Schumer

0 Comments · Tuesday, February 26, 2013
Big things are happening for comedian Amy Schumer. The talented comic, most widely known for her run on Last Comic Standing and the roasts of both Charlie Sheen and Roseanne Barr, is about to debut her own sketch comedy show called Inside Amy Schumer  

Million Dollar Quartet (Review)

Great balls of fire!

0 Comments · Wednesday, February 20, 2013
If you're a fan of the early days of Rock & Roll, you'll be in heaven if you go to see the touring production of Million Dollar Quartet. It's really more of a concert with dead-on impersonations of Jerry Lee Lewis, Carl Perkins, Johnny Cash and Elvis Presley than a traditional Broadway show.  

Epic Theater

CCM takes on Bertolt Brecht and Kurt Weill's acclaimed dark comedy

0 Comments · Wednesday, February 20, 2013
Premiered in Berlin in 1928, The Threepenny Opera is an iconic work, the creation of composer Kurt Weill and poet/dramatist Bertolt Brecht, and opens a two-weekend run at CCM as part of its Kurt Weill festival, sponsored by the Kurt Weill Foundation for Music, Inc.  

Leveling Up (Review)

Boundaries between fantasy, reality blur in Deborah Laufer's modern script

1 Comment · Monday, February 18, 2013
Playwright Deborah Zoe Laufer has found a vein of universality in her new play, Leveling Up, using the world of online gaming in which players vie for higher levels of power and accomplishment, as a metaphor for growing up.  

Dangerous Liaisons (Review)

Seductive drama triumphs with beautiful design and humor

2 Comments · Monday, February 18, 2013
In Hampton’s 1985 play, the Marquise de Merteuil and the Vicomte de Valmont are manipulative aristocrats in 18th-century France who spend their time seducing scores of people and plotting to destroy anyone who embarrasses or rejects them.  

When the Rain Stops Falling (Review)

Decline and fall

2 Comments · Monday, February 11, 2013
This dense, provocative script is a challenging work, but director Brian Isaac Phillips has staged it beautifully with nine excellent actors who are breathtakingly powerful in a complex tale that spans 80 years and four generations of two intricately interwoven families.  

Rising To The Top

Deborah Laufer explores big questions with playwriting

0 Comments · Tuesday, February 5, 2013
Playwright Deborah Laufer loves to tell stories. “I think what theater does,” she told CityBeat recently, “is bring people together to contemplate what it means to be human at this point in time. It’s a place to ask all the big questions..."  

Broadway Bound (Review)

Lumbering to the finish line

0 Comments · Tuesday, January 29, 2013
Broadway Bound is the third and final installment in Neil Simon’s semi-autobiographical cycle of plays about growing up in Brooklyn in the 1930s and ’40s.   

Camelot (Review)

Strong acting redeems an unwieldy plot

0 Comments · Tuesday, January 29, 2013
In 1960, Alan Jay Lerner and Frederick Loewe followed their 1956 megahit My Fair Lady with the musical Camelot. Its arrival on Broadway coincided with the election of John Kennedy, and many people extended the vision of a “magical kingdom” to his ascendance as America’s charismatic 35th president.