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Richard II (Review)

CSC portrays the fall of a king

0 Comments · Monday, January 14, 2013
Audiences seeing Richard II will wonder why it’s not presented more often because this production works so well. The common wisdom is that Richard II is more about head than heart. Shakespeare’s other histories are full of glory and combat, whereas this play focuses on a king whose weakness leads to his downfall.     

Stagestruck

Cincy theaters put good shows on every stage in town

0 Comments · Wednesday, December 26, 2012
Throughout the year I assign “Critic’s Picks” to noteworthy theatrical productions. As 2012 draws to a close, it seems like a good time to take a look back at some shows that made the grade.   

Every Christmas Story Ever Told (and then some) (Review)

OMG, it’s a BHC*

0 Comments · Monday, December 17, 2012
Starting in 2006, Cincy Shakes offered this raucous run-down of holiday tales, movies, TV specials and tunes at the courtyard at Arnold’s Bar & Grill downtown. This year it’s moved to CSC’s mainstage at 719 Race St., and tickets have been selling like candy canes.
  

Cinderella (Review)

Glitter and glitz abound in Covedale's holiday fairytale

0 Comments · Tuesday, December 11, 2012
It might not have occurred to you that Cinderella is a fairytale for the holidays, but at the Covedale Center they’ve made it into a cheerful family-friendly extravaganza, decked out with tinsel, glitter, snow, a midwinter ball and Christmas caroling.
  

Auggie Smith Talks "The Man," Marriage and More

0 Comments · Wednesday, December 5, 2012
With the re-election of Barack Obama last month, many people who were closely following politics and current events reached a burnout point the day after the election. Comedian Auggie Smith reached that stage almost a full year earlier.
  

The Naughty List (Review)

Know Theatre, OTR Improv combine for offbeat comedy tale

0 Comments · Tuesday, December 4, 2012
It’s good to have Know’s offbeat perspective available as a choice for holiday entertainment in the form of the energetic players of OTR Improv.  

Jersey Boys (Review)

1 Comment · Saturday, December 1, 2012
Jersey Boys was a hit at the Aronoff in 2008, and Broadway Series subscribers have been asking for a return visit since then, with good reason.   

Alice in Wonderland (Review)

Ensemble Theatre offers a colorful, energetic take on classic tale

0 Comments · Friday, November 30, 2012
Alice in Wonderland works best when treated as an ensemble show, rather than a show about a dreamy little girl meeting a cast of supporting characters. This show does exactly that.  

The Importance of Being Earnest (Review)

Wilde's “trivial comedy for serious people” stays fresh, funny

0 Comments · Monday, November 26, 2012
It doesn’t matter whether your preference at teatime is for cake or muffins. You’ll be pleased with Cincinnati Shakespeare’s production of Oscar Wilde’s The Importance of Being Earnest, full of sweets and bon mots.
  

Stand-Up Veteran Proves Clean Comedy Works

0 Comments · Wednesday, November 14, 2012
For stand-up comedy fans, few comics are as popular as Brian Regan. Like Jim Gaffigan, Mike Birbiglia and Louis C.K., Regan has built a large and loyal fan base without having been on a sitcom or starring in a hit movie. Now he has a career many comics would love.
  

Hank Williams: Lost Highway (Review)

Reviving America's Honky-Tonk hero

0 Comments · Monday, November 12, 2012
For a guy who spent most of his mental energy on comic books, “Hillbilly” singer Hank Williams surely knew how write songs that connected with people from all walks of life.
  

Under a Red Moon (Review)

Glimpse inside a serial killer's sensitive psyche in seesaw game of cat-and-mouse

0 Comments · Monday, November 5, 2012
The “Acid Bath Killer,” as British serial killer John George Haigh came to be known, is the subject of a new play, Under a Red Moon, in a world premiere production at Covington’s Carnegie Center. 
  

Romeo and Juliet (Review)

CSC adds 21st century overlay to Shakespearean classic

0 Comments · Monday, October 29, 2012
Staged by Brian Isaac Phillips, CSC’s artistic director, this production has been modernized. The inhabitants of “fair Verona” wear contemporary clothes, and their entertainment and behavior has  

Titus Andronicus (Review)

Violence and Steampunk style unite for bloody Shakespeare work

0 Comments · Monday, October 29, 2012
Director Jeremy Dubin has provided a different sort of filter for this interpretation of Titus Andronicus, that of the sci-fi genre of “Steampunk,” which presumes that the Victorian ingenuity of Jules Verne and H. G. Wells in the 19th century extended its steam-driven, mechanical technology prevailed in the 20th and 21st centuries.   

Brighton Beach Memoirs (Review)

Playhouse's first Neil Simon staging is honest, heartfelt

0 Comments · Monday, October 22, 2012
It’s surprising that one of the most frequently produced and honored playwrights of the 20th century hasn’t previously had one of his works staged at our award-winning regional theater, but it’s almost worth the wait given the current staging of Neil Simon’s 1983 Tony Award winner, Brighton Beach Memoirs.