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I Left My Heart, A Salute to the Music of Tony Bennett (Review)

Bennett revue falls flat

0 Comments · Tuesday, March 11, 2014
Cincinnati Landmark Productions’ I Left My Heart, A Salute to the Music of Tony Bennett at the Covedale Center for the Performing Arts presents a musical tribute to Bennett, with more than 30 songs made famous by or famously sung by the legendary crooner.  

Wicked (Review)

Touring production is certifiable, guaranteed entertainment

0 Comments · Saturday, March 8, 2014
The word I use to describe the Broadway musical hit Wicked is “juggernaut,” defined as “an overwhelming advancing force or event.”   

Les Miserables (Review)

A simplified "Les Mis" at CCM focuses on characters and spectacular voices

0 Comments · Friday, February 28, 2014
UC’s College-Conservatory of Music's staging of Les Misérables is powerful and memorable, one of the best musical theater productions on a Cincinnati stage this season.  

A Shot of Kentucky Creativity: Humana Festival No. 38

0 Comments · Wednesday, February 26, 2014
One of America’s most important theatrical events happens annually just 100 miles south of Cincinnati via I-71: the Humana Festival of New American Plays at the Actors Theatre of Louisville, kicking off its 38th year this week  

Rosencrantz and Guildenstern Are Dead (Review)

Cincinnati Shakespeare Company's existential comedy is stark raving sane

0 Comments · Sunday, February 23, 2014
Cincinnati Shakespeare has deeply enhanced the experience of both of these classic works, separated by four centuries in their creation, but sharing common philosophical ground in their exploration of the meaning of existence.  

Shifts in Mind, Body and Spirit

0 Comments · Wednesday, February 19, 2014
Brainstorming various aspects of the concept of time marked the impetus of MamLuft&Co. Dance’s most recent work, /SHIFT/, premiering at the Aronoff Center this weekend.  

From The Ground Up

World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season

0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are the thematic elements of Cincinnati Ballet artistic director and CEO Victoria Morgan’s full-length world premiere, King Arthur’s Camelot, opening this weekend with five performances at the Aronoff Center.   

Tribes (Review)

Can you hear me now? 'Tribes' at Ensemble Theatre

0 Comments · Friday, February 7, 2014
Nina Raine’s award-winning play Tribes is overtly — and creatively — about people living with deafness. But it’s also a story of families and the human need to connect.   

Seminar (Review)

A school for good writing, acting – 'Seminar' at Falcon Theater

0 Comments · Friday, February 7, 2014
Falcon Theater’s production of Theresa Rebeck’s 2011 play Seminar opened strong in the small, charming Monmouth Theatre in Newport, Ky. Rebeck, a Cincinnati native now living in Brooklyn, N.Y., is a triple-threat writer who has had success as a novelist, playwright and TV writer.  

Power of Storytelling

Mary Zimmerman's mythic tales are landing on local stages

0 Comments · Wednesday, February 5, 2014
“I’ve always lived with one foot in an imaginary world. I’ve never grown out of that,” Mary Zimmerman says. When she was a child, her academic parents took her along for stays in England and France. A British teacher read to her from Homer’s Odyssey, and Zimmerman, at age 5, was captivated.   

Revelation (Review)

Not Rapturous but Fun: Untethered Theatre's Revelation

0 Comments · Wednesday, January 29, 2014
On a cold Friday night, Untethered Theatre opened Samuel Brett Williams’ Revelation to a packed and receptive house in the Clifton Performance Theatre (CPT), a home they share with Clifton Players. It’s an amazement to see how both companies use this tiny space innovatively.
  

Clybourne Park (Review)

Then and Now: Clybourne Park at the Playhouse

0 Comments · Wednesday, January 29, 2014
Bruce Norris’ award-winning Clybourne Park (Tony, Olivier and Pulitzer Prize) employs clever writing and vivid characters to aim squarely at issues such as racism and intolerance that we might think we have moved beyond.  

Pluto (Review)

Crossing Wires Between Reality and Fantasy: Pluto

0 Comments · Wednesday, January 29, 2014
Know Theatre is presently staging Steve Yockey’s new play Pluto, the second of four “rolling world premieres.” The work is not easy to describe, to watch or to like. That’s not to say it’s not worth seeing — but it’s challenging.  

Hamlet (Review)

Actor Brent Vimtrup makes Shakespeare classic feel fresh and new

0 Comments · Monday, January 13, 2014
When Shakespeare wrote Hamlet around 1600 he could not have imagined it would become one of the great dramas of all time. The tale of “carnal, bloody, unnatural acts” was for audiences at Londo  

Book of Mormon (Review)

No joke (well, maybe): This show will change your life

0 Comments · Thursday, January 9, 2014
Have faith. That’s the hilarious lesson of The Book of Mormon, crusading for laughter in its current missionary effort, er, touring stop, Cincinnati’s Aronoff Center.