Playwright Theresa Rebeck knows Cincinnati (she grew up here), so her world premiere play takes dead aim by putting a very recognizable image our town onstage. You will know these people — your neighbors and people you grew up with if you’re from Cincinnati.
Allison Moore’s new play is quite literally
a play for our anxious times. Its four characters are each driven by some form
of anxiety unlikely in previous generations. Moore has tapped into the contemporary
zeitgeist to write a story that, while full of zany, improbably humor,
nevertheless hits a sensitive nerve that you’re likely to recognize and perhaps
You might be aware of many of Cincinnati’s local theaters. But there is one probably not on your radar. Nevertheless, ArtReach annually reaches
hundreds of thousands of kids in Ohio, Kentucky, Indiana, Michigan,
Illinois, Tennessee and Wisconsin.
You can’t go wrong
with this much expressive dancing, and the kids who perform it will
win your heart, from tiny Jeremy Zorer who gets the show started, to
Billy’s ebullient, cross-dressing friend Michael (Ben Cook). The
show evoked a rousing, and well-deserved response from the audience
on opening night.
This weekend, Zappa’s music gets the help
of musicians who are very much on to the molecules. Leave it to the
innovative ensemble concert:nova to present Shut Up and Play the Zappa! featuring
chamber pieces by Zappa and his musical mentors, as well as covers of
his Rock music, at the 20th Century Theater in Oakley.
wrote Henry VIII in 1612 or 1613, probably in collaboration
with John Fletcher, another playwright. The events of the history
play date from an era not long before Shakespeare’s birth, and the
work — known originally and hyperbolically as All Is True —
chronicled events that were still vivid in England’s cultural
Identifying the year’s best theater
productions is a more idiosyncratic task this year because of the
disappearance of two long-established awards programs. CityBeat’s
Cincinnati Entertainment Awards had their final iteration in August
2010, with the plan to merge them into the Acclaim Awards, launched by The Cincinnati Enquirer in
This backstage musical about good-hearted people
putting on a show to save a struggling Vermont ski lodge is perfect
for the Covedale’s mainstream audience, and the performance I
attended at the converted movie theater, a Sunday matinee, had every
one of its 400 seats filled with people loving what they were seeing.
This is surely Shakespeare’s most
verbose and verbally tricky text, even in the reduced version Clark has
staged, absent two very wordy characters. Delivered at high speed, this
production is a constant game of catch-up.
When we were kids, my sister collected
penguins. Plush penguins, ceramic penguins, penguins wearing knit hats
and scarves, penguins ice skating and more. Now even the most hardcore
penguin enthusiasts can indulge their obsession with the Newport
Aquarium’s Penguin Encounters.
There’s a lot to like about the Cincinnati Playhouse’s non-holiday show for the holiday season.
It’s a revue that includes two dozen of Cline’s best-known songs, and
actress Carter Calvert perfectly captures the iconic Country singer’s
delivery and manner.
Don’t go thinking this show has anything to do with the holidays, and
despite the fact that some fourth-graders light its political fuse when
their teacher replaces a holiday pageant with a script that references a
possible gay relationship involving the 16th president, this is not a
show for kids. Who is it for? I’m not really sure, although some at the
opening performance found it hilarious.
It’s just about time for that magical
season of holiday shows in Cincinnati — some tried and true, and some
for the Grinches who don’t resonate with the good cheer that permeates
the world through most of December. Let’s take a little sleigh ride
around Cincinnati’s theaters to see what’s happening.