Director Jeremy Dubin has provided a different sort of filter for this interpretation of Titus Andronicus,
that of the sci-fi genre of “Steampunk,” which presumes that the
Victorian ingenuity of Jules Verne and H. G. Wells in the 19th century
extended its steam-driven, mechanical technology prevailed in the 20th
and 21st centuries.
surprising that one of the most frequently produced and honored
playwrights of the 20th century hasn’t previously had one of his works
staged at our award-winning regional theater, but it’s almost worth the
wait given the current staging of Neil Simon’s 1983 Tony Award winner, Brighton Beach Memoirs.
The folks who run Cincinnati Landmark Productions know their audience:
This is the kind of warm-hearted, old-fashioned show that appeals to
their subscribers. But I Do! I Do! has really become a history lesson more than a romantic voyage.
Drawing comparisons is a futile way to describe Blue Man Group.
It’s a unique form of entertainment that
includes music, electronica, childish gross-outs and silliness that owes a lot to the
physicality Three Stooges and the silent slapstick of Harpo Marx.
— and napkin folding and thank-you-card writing — are
major topics of conversations in Jeffrey Hatcher’s semi-autobiographical
Mrs. Mannerly, but the play is
never dull or dry. Who knew place
settings could be so entertaining?
Bill Burr is undoubtedly a comedian’s
comedian, that rare comic who other stand-ups will go out of their way
to see. However, Burr also has a sizeable and loyal fanbase that
relishes in his observations on everything from Hitler to fast food.
is about the importance of tolerance and understanding, something not
achieved in these circumstances but that seems possible eventually.
Those sparks of hope have made this a meaningful tale for a
half-century, and CSC has brought the story to life.
Tennessee Williams was a brilliant American playwright, but his works are not easy going for people seeking pleasant
entertainment. Cat is not an
easy piece of theater: There’s not a likable character in this tale of a
greedy, selfish family.
The Capitol Steps are on their way to
Cincinnati, and they’ll stop at nothing to get audience members laughing
as this grueling election year surges forward. The Steps are a group of Capitol Hill
staffers turned political satirists, and no party is safe from ridicule
when these performers take the stage.
The interplay between characters in Good People
is full of believable truth, and ETC director D. Lynn Meyers excels in
staging such material. It’s a total package that feels good
and real from start to finish.
Perhaps you overslept back in June and
missed the 2012 Cincinnati Fringe Festival. You now have a chance to make up for it or to satisfy a fall craving for
Fringe performances, thanks to the festival’s presenter, Know Theatre