Audiences seeing Richard II will wonder why it’s not presented more often because this production works so well. The common wisdom is that Richard II is
more about head than heart. Shakespeare’s other histories are full of
glory and combat, whereas this play focuses on a king whose weakness
leads to his downfall.
Starting in 2006, Cincy Shakes offered this raucous
run-down of holiday tales, movies, TV specials and tunes at the
courtyard at Arnold’s Bar & Grill downtown. This year it’s moved to CSC’s mainstage at 719 Race St., and tickets
have been selling like candy canes.
It might not have occurred to you that Cinderella
is a fairytale for the holidays, but at the Covedale Center they’ve made
it into a cheerful family-friendly extravaganza, decked out with
tinsel, glitter, snow, a midwinter ball and Christmas caroling.
With the re-election of Barack Obama last
month, many people who were closely following politics and current
events reached a burnout point the day after the election. Comedian Auggie Smith reached that stage almost a full year earlier.
It doesn’t matter whether your preference at
teatime is for cake or muffins. You’ll be pleased with Cincinnati
Shakespeare’s production of Oscar Wilde’s The Importance of Being Earnest,
full of sweets and bon mots.
For stand-up comedy fans, few comics are
as popular as Brian Regan. Like Jim Gaffigan, Mike Birbiglia and Louis
C.K., Regan has built a large and loyal fan base without having been on a
sitcom or starring in a hit movie. Now he has a career many comics
Director Jeremy Dubin has provided a different sort of filter for this interpretation of Titus Andronicus,
that of the sci-fi genre of “Steampunk,” which presumes that the
Victorian ingenuity of Jules Verne and H. G. Wells in the 19th century
extended its steam-driven, mechanical technology prevailed in the 20th
and 21st centuries.
surprising that one of the most frequently produced and honored
playwrights of the 20th century hasn’t previously had one of his works
staged at our award-winning regional theater, but it’s almost worth the
wait given the current staging of Neil Simon’s 1983 Tony Award winner, Brighton Beach Memoirs.