The Playhouse is wrapping up its 53rd season with Donald Margulies’s 2007 script, Shipwrecked!.
Concluding Blake Robison’s first season as artistic director, the show
continues his promise to offer family-friendly plays designed to appeal
to a broad cross-section of Playhouse theatergoers
David Zlatic designed a production — scenery, lighting in
the style of film noir and a stream of well executed photographic and
video projections in moody black-and-white — that works very well, including Desmond’s mansion with a sweeping central staircase.
Director Brian Isaac Phillips has set his production in the U.S. in the 1920s.
It’s a good match to Jacobean London and we
are given visual insight into the characters — from puritanical tyrants
in three-piece business suits to loose men in fur coats and lowlife
women as flappers.
Know Theatre has opted for quality rather than quantity in its productions this season. It’s following the highly regarded When the Rain Stops Falling with its second show, Cock by Mike Bartlett, maintaining a similar high level of material and performance
Ohmigod, you guys: The Covedale Center’s production of Legally Blonde is like, totally fabulous. A bubbly, warm, laugh-out-loud evening of theater at its cutest, Blonde is well produced and wonderfully entertaining.
The Book Club Play a comedy about five people with some personal
history who come together for monthly conversations about books, progresses — perhaps more accurately,
regresses — through a series of novels reflecting tastes, aspirations and
In addition to the imaginative stage work, War Horse
features stage-wide projections, evocative music and more than 30 actors who play numerous
roles and quickly assemble simple but suggestive props and bits of
Cincinnati Shakespeare Company’s staging of A Midsummer Night’s Dream
is a hilarious frolic through one of Shakespeare’s most beloved
creations. A quirky, energetic reimagining, this production features all
the familiar faces.