Artist Don Lambert, who wants his work to reach a wide public, is a perfect choice as the inaugural winner of the Cincinnati Art Museum’s new 4th Floor Award. Don Lambert: Supernova Terra Firma, the first 4th Floor Award exhibition, has just opened in the museum’s Vance-Waddell gallery and remains up through Nov. 29.
Staff positions have taken the biggest hit as Cincinnati's arts and cultural institutions hunker down to survive the recession. Some organizations have adapted through deliberate attrition, while other belt-tightening measures have included shorter hours and curtailed programming. "It's a painful time," says Raphaela Platow, director of the Contemporary Arts Center. The bright side (surprisingly, there is one) is that attendance is up for many organizations.
Expect a jam-packed fall season with a variety of colorful shows from the Cincinnati Art Museum, the Contemporary Arts Center, Taft Museum of Art, the Alice F. and Harris K. Weston Gallery, Carl Solway Gallery, Country Club, Manifest Creative Research Gallery and the Carnegie Visual and Performing Arts Center.
The exhibition currently on view at the Taft Museum of Art, 'The Chemistry of Color: The Sorgenti Collection of African American Art,' highlights The artists who are essential to any history of African-American art. But, more than that, they're essential to the study of American Art.
Looking for the right kind of art show to fill East Walnut Hills' Manifest Gallery during the hot days and nights of August, chief curator Jason Franz has decided to go NUDE. The show, an addition to the planned original season of eight exhibitions, opened Friday and continues through Sept. 11.
In the past, I have noted the unique, handmade artistic fashions of Nathan Hurst at downtown parties like the Contemporary Art Center’s Contemporary Fridays. Hurst’s first artistic fashion show, Off with Their Heads, is this Friday at CS13, a new gallery and music venue in Over-the- Rhine.
The Art Academy of Cincinnati last week announced the departures of two top leaders, President Gregory Allgire Smith and Academic Dean Keith Kutch. While Kutch left on his own accord to accept a position at Stevenson University outside of Baltimore, the circumstances surrounding Smith's departure are still unclear.
Photographer Lisa Britton has been recording every day of her almost-5-year-old daughter Angela's short life. She often concentrates on Angela's exploration of the natural world and has chosen works with that theme for 'Seeing Nature,' her exhibition of color photographs on display at Parkside Cafe in Walnut Hills.
Judy Pfaff's current exhibition of large-scale collaged works and small prints seems to continue an abiding interest that Carl Solway Gallery has in highly accomplished, mid-career artists who favor abstract interpretations of nature through a variety of approaches.
The current exhibition at Aisle Gallery focuses on the centuries-old practice of printmaking. Of course, the practice has changed and expanded since its inception, but Rachel Heberling and Katherine Rogers seem to have found their niche in concentrating on straightforward lithography and etching and the beauty that can be found there.
For a world-class museum, Greater Cincinnati's Vent Haven Museum attracts precious few visitors. How to increase attendance is problematic since it raises the issue of what kind of place Vent Haven is meant to be. It's the only major public museum devoted to ventriloquism (the art of throwing voices) and has more than 750 historic and/or unusual ventriloquial figures.
Gnarled tree limbs arc above each entrance of downtown's Weston Art Gallery. Lashed together with twine, the limbs create a web-like mass that spreads throughout the Weston's lobby, soaring above in great domes, coiling around pillars, growing up and out of the stairwell.
The two current exhibitions at Country Club Gallery have something in common: namely, a sense of place. And yet the two artists included here, Christina Seely and Evan Hecox, deal with the idea of place in profoundly different ways.
At the turn of the 20th Century, when a woman's most acceptable occupation was motherhood, Bessie Potter Vonnoh succeeded professionally as a sculptor, flouting convention by focusing on a career instead of raising children. Her success as an independent working artist rested on subject matter that supported traditional notions of women, which makes the Cincinnati Art Museum's current exhibition of her work all the more fascinating.
The ancient device known as a camera obscura (from the Latin for "veiled chamber") was an indispensable art-making tool for centuries. A new exhibition at Northside's Prairie Gallery tries to continue its relevance for contemporary artists.