Historical societies’ “attics” — actually, they call it “storage” — are a lot like those at your great aunt Eloise’s house, only even better. You don’t know what you might find because there’s so much up there.
There are more exhibitions, installations, shows and general art activities going on this holiday season. From Manifest's Backyard exhibit to Avant-gardist C. Spencer Yeh's Standard Definition, you'll never go hungry for a cultural experience.
It's taken a couple unwanted delays for Cincinnati Art Museum to get 'Imperishable Beauty: Art Nouveau Jewelry' open, but it's been worth the wait. The museum has done a wonderful job displaying it; Cynthia Amnéus, CAM's associate curator of costume and textiles, has really made it look sparkling.
Having Country Club's West End gallery space in walking distance of my home was a luxury I didn’t fully appreciate until it moved across town to Oakley. But while it's now further away from downtown and many like-minded arts organizations, it is worth the trek.
I’ve always been able to find art in Cincinnati. From seeing the paintings created by an art class at SCPA, where I’m currently a senior, to being inspired by exhibits at the Cincinnati Art Museum or the Contemporary Arts Center, it’s been fairly easy to nourish my passion for art in my hometown.
Among the six new exhibits at Carnegie Visual and Performing Arts Center in Covington are outstanding solo ones by artists Keith Auerbach, Jessica Grace Bechtel, Ken Page and Eric Ruschman. They're collected with a Clay Alliance group show called 'Feast or Famine' and a group show featuring works by children.
Artists are a lot like scientists: They observe and collect, question and describe, experiment and record. They interpret what they've gathered, creating solutions to problems or theories that pose more questions — in physical, visual form. This concept was the impetus for the fabulous and thought-provoking exhibition 'Form from Form: Art from Discovery' at the University of Cincinnati.
Time has not been good to the arcade game. In the last decade, the accelerated pace of take-home technology has unarguably established consoles like the Nintendo Wii and the Xbox 360 as the video game’s dominant products, forcing the coin-operated game out of the market.
There's nothing quite like the experience of getting your first tattoo. People who haven't had the experience will commonly ask, "Does it hurt?" Yes, it hurts. But pain plays a relatively insignificant role in the tattoo process as a whole.
The ubiquity of Installation Art in museums and galleries for decades now suggests, perhaps incorrectly, that it's a widely understood concept. But Carl Solway Gallery's latest exhibition seems to act as an introduction to Installation Art practices, with 15 artists creating piles, puddles and wall treatments that in many cases boast attractive color schemes and intricate handwork.
When is a tiger not just a tiger? An eagle more than an eagle? When they're painted as messages about social and political conditions, philosophies about leadership and cultural values. This was the case during the Chinese Imperial Court between the 11th and 19th centuries, when its painters used animals as symbols. Many of the meanings of these images had been lost, but Hou-Mei Sung, curator of Asian art at the Cincinnati Art Museum, has rediscovered them.
As Covington gets ready for Thursday's launch of its October-long Full Spectrum (a celebration of the arts intended to attract 10,000 or more visitors) it's positioning itself as a major regional cultural force. This is a move to bring overdue attention to the arts in a city traditionally overshadowed by its larger neighbor, Cincinnati, says Natalie Bowers, Covington Arts District director.
In the Weston's first exhibitions of the season, Ryan Mulligan, Casey Riordan Millard and Michael Sharber reinforce the overt qualities of fantasy and illustration in one another's work while also calling attention to more understated emo-aesthetics and pseudo-spirituality. Their strength is allowing and controlling the bleed of their personal lives into their richly ambiguous terrains.
Usually when September rolls around, I spend my time prepping an opening at Carl Solway Gallery and anticipating all the new fall exhibitions in town. This year, I’m also preparing for my move back to Brooklyn. While everyone knows New York is a cool town full of art, I’m not ready to admit that it’s any cooler than my Cincinnati.
When I visited Country Club in the West End last week, it was bustling even though no other visitors were in the art gallery. Christian Strike, its owner, was too busy at his computer to talk. His Iconoclast Editions, an ancillary company headquartered in the West End gallery, had just that day issued a new, limited-run print by Shepard Fairey, the New York-based graphic artist who shot to fame with last year’s “Obama Hope” poster.