Casting a wide net is Manifest Gallery’s usual mode of operation. The “neighborhood gallery for the world” on Woodburn Avenue in East Walnut Hills attracts entries and exhibits works from all over this country and beyond. However, a current exhibition called Backyard reflects a deliberate narrowing of the field.
“Swing Landscape” at 7-by-14 feet is quite large. It is a key piece by a giant of American Modernism whose work anticipated both Abstract Expressionism and Pop Art. The Philadelphia-born Davis, who died in 1964 at age 71, was a champion of 20th-century European art and combined its influences with the American vernacular.
The cast of colorful and eccentric characters populating downtown and Over-the-Rhine will inflate by one this Friday when performance artist Jimmy Kuehnle comes to town. At first, he’ll look pretty normal. But within seconds, without warning, he’ll transform into … well, it’s hard to describe, actually.
Historical societies’ “attics” — actually, they call it “storage” — are a lot like those at your great aunt Eloise’s house, only even better. You don’t know what you might find because there’s so much up there.
There are more exhibitions, installations, shows and general art activities going on this holiday season. From Manifest's Backyard exhibit to Avant-gardist C. Spencer Yeh's Standard Definition, you'll never go hungry for a cultural experience.
It's taken a couple unwanted delays for Cincinnati Art Museum to get 'Imperishable Beauty: Art Nouveau Jewelry' open, but it's been worth the wait. The museum has done a wonderful job displaying it; Cynthia Amnéus, CAM's associate curator of costume and textiles, has really made it look sparkling.
Having Country Club's West End gallery space in walking distance of my home was a luxury I didn’t fully appreciate until it moved across town to Oakley. But while it's now further away from downtown and many like-minded arts organizations, it is worth the trek.
I’ve always been able to find art in Cincinnati. From seeing the paintings created by an art class at SCPA, where I’m currently a senior, to being inspired by exhibits at the Cincinnati Art Museum or the Contemporary Arts Center, it’s been fairly easy to nourish my passion for art in my hometown.
Among the six new exhibits at Carnegie Visual and Performing Arts Center in Covington are outstanding solo ones by artists Keith Auerbach, Jessica Grace Bechtel, Ken Page and Eric Ruschman. They're collected with a Clay Alliance group show called 'Feast or Famine' and a group show featuring works by children.
Artists are a lot like scientists: They observe and collect, question and describe, experiment and record. They interpret what they've gathered, creating solutions to problems or theories that pose more questions — in physical, visual form. This concept was the impetus for the fabulous and thought-provoking exhibition 'Form from Form: Art from Discovery' at the University of Cincinnati.
Time has not been good to the arcade game. In the last decade, the accelerated pace of take-home technology has unarguably established consoles like the Nintendo Wii and the Xbox 360 as the video game’s dominant products, forcing the coin-operated game out of the market.
There's nothing quite like the experience of getting your first tattoo. People who haven't had the experience will commonly ask, "Does it hurt?" Yes, it hurts. But pain plays a relatively insignificant role in the tattoo process as a whole.
The ubiquity of Installation Art in museums and galleries for decades now suggests, perhaps incorrectly, that it's a widely understood concept. But Carl Solway Gallery's latest exhibition seems to act as an introduction to Installation Art practices, with 15 artists creating piles, puddles and wall treatments that in many cases boast attractive color schemes and intricate handwork.
When is a tiger not just a tiger? An eagle more than an eagle? When they're painted as messages about social and political conditions, philosophies about leadership and cultural values. This was the case during the Chinese Imperial Court between the 11th and 19th centuries, when its painters used animals as symbols. Many of the meanings of these images had been lost, but Hou-Mei Sung, curator of Asian art at the Cincinnati Art Museum, has rediscovered them.
As Covington gets ready for Thursday's launch of its October-long Full Spectrum (a celebration of the arts intended to attract 10,000 or more visitors) it's positioning itself as a major regional cultural force. This is a move to bring overdue attention to the arts in a city traditionally overshadowed by its larger neighbor, Cincinnati, says Natalie Bowers, Covington Arts District director.