Two years ago, when Todd Pavlisko was in the process of creating his installation Crown by having a sharpshooter fire bullets past the Cincinnati Art Museum’s Icons of the Permanent Collection exhibit into a brass cube, there were questions to raise.
Austen’s familiar characters in Pride and
Prejudice have all but taken on the status of real people. Everyone who loves
this 1813 novel of love and manners “knows” Elizabeth and Mr. Darcy, to be
Rust Belt towns across the upper Midwest
are on the verge of oblivion, their economies hallowed out by
technological innovation and globalization. Yet many are not ready to
give up on blue-collar bastions like Akron, Ohio, as David Giffels’ new
I love going to the movies, but I leave writing about them to others, especially my CityBeat
colleague tt stern-enzi, who routinely offers a perspective worth
reading. Nevertheless, I’m going to local cineplexes more often for
digital transmissions of theater from around the world.
You could go stag to see the carved deer heads, football helmets and other gaming trophies on exhibit in Wild Card
at the 21c Museum Hotel downtown. But Michael Combs’ unsettling
examination of gender identity and cultural mythology raises so many
questions that it’s better not to go hunting alone for answers.
Much like their Irish ancestors who
immigrated to America before them, husband and wife Kent Covey and
Maureen Kennedy were immigrants in their own right when they moved to
Cincinnati from New York and California, respectively.
The recent $46 million
restoration/reinvention of Over-the-Rhine’s Washington Park is already
reaping artistic dividends — it’s responsible for a new musical tribute
to the transformative powers of landscape architecture.
Cincinnati Landmark Productions’ I Left My Heart, A Salute to the Music of Tony Bennett
at the Covedale Center for the Performing Arts presents a musical
tribute to Bennett, with more than 30 songs made famous by or famously
sung by the legendary crooner.