Since our botched invasion and futile
occupation of Iraq, there have been several excellent accounts of this
costly, deadly debacle —unfortunately all written from the perspective
of American and other Western-based writers.
For Alice Aycock, whose public sculpture can be found in cities and parks worldwide, “Super Twister” — her new aluminum-and-steel piece at the CARE/Crawley Building on the UC Medical Center campus — represents ideas about chaos she has spent a lifetime pursuing.
On May 7, 1937 — exactly 77 years ago this week — the Cincinnati May Festival presented the American premiere of The Ordering of Moses, an oratorio by Robert Nathaniel Dett, an African American composer, conductor and professor.
Cincinnati Shakespeare Company’s presentation of the rarely produced The Two Noble Kinsmen is a noble feat, as it put CSC in the company of only six modern theater companies who have also “completed the canon” by performing all 38 of Shakespeare’s plays.
When scholars refer to William
Shakespeare’s canon — his “complete works” — they typically count 38
plays, written between 1590 and 1612. Only six modern theater companies
have staged them all, and Cincinnati Shakespeare Company is set to join the ranks this week.
A diminutive white-bearded man, Avtar Gill stood out in any crowd despite his humble stature. Always
wearing his oversized, hand-drawn, (typically) all caps messages which
he affixed to a baseball cap with usually no more than a few
strategically placed rubber bands, he documented everyday history in
mundane yet sometimes profound ways.
Over the Rhine, the bluesy, jazzy, folksy
band headed by blonde chanteuse Karin Bergquist and real-life partner
Linford Detweiler, named after Cincinnati’s historic Over-the-Rhine
neighborhood where they once lived, this weekend will perform live with
Cincinnati Ballet dancers in the closing series of the company’s 50th