With the re-election of Barack Obama last
month, many people who were closely following politics and current
events reached a burnout point the day after the election. Comedian Auggie Smith reached that stage almost a full year earlier.
What first started as a community forum to
reach neighborhood children resulted in a nonprofit organization called
WordPlay, which offers a place outside the home where kids can get
tutoring and work on creative projects that aim to create confidence and
allow for positive social engagement.
If you drive to Columbus by Dec. 30, you can see a photography show — Annie Leibovitz
— that serves as the culmination to the journey through
celebrity/fashion photography begun by three FotoFocus-related museum
NINE is just fine — both the name and the Carnegie exhibit. The title discloses only the number of
artists, who represent ceramics, sculpture, painting, glass and mixed
media. The show is without an obvious or assigned theme. But rather than
feeling like a mish-mash, it works.
It doesn’t matter whether your preference at
teatime is for cake or muffins. You’ll be pleased with Cincinnati
Shakespeare’s production of Oscar Wilde’s The Importance of Being Earnest,
full of sweets and bon mots.
If the historic Emery Theatre had a voice,
it was a distant echo ricocheting off of boarded-up buildings and
dissolving into the background, unheard by Cincinnati for the nine years
its doors were closed. Lately, however, the Emery is a murmur growing
louder among art enthusiasts.
When Oscar Wilde wrote The Importance of Being Earnest
back in 1895, he subtitled it “A Trivial Comedy for Serious People.”
That’s an apt description for a show still produced with frequency 117
years later — and as funny as ever.
Pity poor Harold Silver, the loveable protagonist in A.M. Homes’ latest and perhaps finest novel, May We Be Forgiven.
Set over the course of one nightmarish year, from one disastrous family
Thanksgiving to the next year’s “remains of the day,” Homes has cooked
up the blackest of comedies.
Less than a year ago, word began
circulating of a new “definitive” biography of Rock and Roll icon Bruce
Springsteen. These rumors were like manna from heaven for frustrated
Springsteen fans, who have been waiting for decades for this kind of
biography. And who could blame them?
If Henri Toulouse-Lautrec and Herb Ritts
could have a drink together, they’d find so much to talk about that the
drinks might just keep coming. The Cincinnati Art Museum’s total
collection of Toulouse-Lautrec prints (43) and posters (eight) fill
niches at right and left of the Great Hall balcony entrance to Herb Ritts: L.A. Style, providing that sensuous outlay of black and white photographs with an historic backdrop.