This week marks the opening Actors
Theatre of Louisville’s 37th annual Humana Festival of New American
Plays. First up is Meredith McDonough’s The Delling Shore, about
two rival authors and their daughters, a work in which words become
Big things are happening for comedian Amy Schumer. The talented comic, most widely known for her run on Last Comic Standing and the roasts of both Charlie Sheen and Roseanne Barr, is about to debut her own sketch comedy show called Inside Amy Schumer
It was the ever-evolving OTR landscape of empty lots and abandoned Italianate buildings that inspired Michael Stout to create what is arguably VisuaLingual’s most recognizable product — muslin vegetation bundles called “Seed Bombs.”
If you're a fan of the early days of Rock & Roll, you'll be in heaven if you go to see the touring production of Million Dollar Quartet. It's really more of a concert
with dead-on impersonations of Jerry Lee Lewis, Carl Perkins, Johnny
Cash and Elvis Presley than a traditional Broadway show.
Premiered in Berlin in 1928, The Threepenny Opera
is an iconic work, the creation of composer Kurt Weill and
poet/dramatist Bertolt Brecht, and opens a two-weekend run at CCM as
part of its Kurt Weill festival, sponsored by the Kurt Weill Foundation
for Music, Inc.
Heiress Marjorie Schiele studied and
practiced art and befriended early-to-mid 20th century European
avant-gardists. She also, later in life (she died at age 95 in 2008),
decided to leave her estate to the Cincinnati Art Museum.
Playwright Deborah Zoe Laufer has found a vein of universality in her new play, Leveling Up,
using the world of online gaming in which players vie for higher levels
of power and accomplishment, as a metaphor for growing up.
In Hampton’s 1985 play, the Marquise de Merteuil and the
Vicomte de Valmont are manipulative aristocrats in 18th-century France
who spend their time seducing scores of people and plotting to destroy
anyone who embarrasses or rejects them.
The teen and twentysomething artists of After the Fall, Women Representing Women are just beginning to explore what being a woman means. I’m twice their average age, but I can relate. I
am still sorting out questions of feminine beauty and identity.
Partnering gets taken to the next level in Cincinnati Ballet’s Romeo & Juliet
this weekend. Not only has much of the choreography changed since the
company premiered this production five years ago, but the people
involved have also evolved.
A group of Covington denizens
known as The Awesome Collective of Covington preceded the "Kentucky Kicks Ass" slogan
campaign when they came up with their own strategy to let people know
how remarkable their peculiar town of 40,000 people truly is.
This dense, provocative script is a challenging work, but director
Brian Isaac Phillips has staged it beautifully with nine excellent actors who are
breathtakingly powerful in a complex tale that spans 80 years and four generations of two intricately interwoven families.
Domino 02: Aqua, an exhibition at
Covington’s Artisans Enterprise Center (AEC), features an “international
collaboration” by 12 artists, each one creating a painting on half of
two canvases, which are then distributed to another artist to finish the
Playwright Deborah Laufer loves to tell stories. “I think what theater does,” she told CityBeat
recently, “is bring people together to contemplate what it means to be
human at this point in time. It’s a place to ask all the big questions..."
I loathe clockwatching — or so I thought, until I saw three hours worth of Christian Marclay’s amazing The Clock,
a 24-hour art installation/video collage at Columbus’ Wexner Center for
the Arts, on the Ohio State University campus through April 7.