By the time you read this, Patrick Cost —
Direct Support Professional (DSP) for Living Arrangements for the
Developmentally Disabled (LADD) — and his friend and charge, artist Mike
Weber, will be in Japan.
As Contemporary Dance Theater celebrates
the close of its 41st anniversary season with the Area Choreographers
Festival this weekend at the Aronoff, it also bids farewell to founder,
artistic and executive director Jefferson James.
Restrictions can be a powerful impetus
for creativity — parents whose bedtime rules are questioned would agree.
Artists never lose their sense of questioning, but resort to fresh
approaches when boundaries are imposed.
The Cincinnati Fringe had its finale on Saturday evening in
a chaotic round of thanks and kudos at Know Theatre. If you’ve never attended
but want to know what it’s like, I’d compare the party to a tumultuous Saturday
morning at Findlay Market.
changing. Nowhere is this fact more apparent than in our once-sleepy
downtown. From The Banks to Over-the-Rhine, from Fountain Square to
Washington Park, the urban core is alive with activity.
The Cincinnati Chamber Orchestra concludes
its 40th season on June 1 amid symptoms of classic midlife crisis.
There’s no equivalent of a red Porsche, but there are serious concerns
about the organization’s viability and how it might reinvent itself in a
continually uncertain marketplace.
I’ve been a theater critic for almost
three decades. I’m an optimist: I routinely attend shows hoping to be
pleased or surprised. Doesn’t always happen, of course, but I keep going
back. Maybe that’s a little crazy, but I’ve kept at it for all these
years because our Cincinnati theater scene gets better and better, and I
want everyone to hear about it.
The folks behind the Cappies program that
recognizes high school theater productions and performances decided to
establish a new recognition for the 2014 awards, presented on Friday,
May 23, at the Aronoff Center.
A large chunk of the Internet knows Ben
Dudley as that guy who got “booped” on the forehead by a meowing cat’s
paw. His 11-second viral video featuring himself and Pouncy the
pussycat, titled “Interspecies Bonding,”
has gotten more than 1.2 million views, landing him a fat 200 euro
payday courtesy of his decision to license the video for advertisements.
The Whitney Biennial is a bellwether of
new trends in the contemporary art world. Or, at least, on what is most
important in the eyes of the curators charged with choosing a particular
year’s participating artists — and what’s important to those artists,