Christopher Durang got an early start as a playwright. “When I was 8,” he told The Juilliard Journal (he
teaches playwriting at the Juilliard School), “I announced to my mother
I was going to write a play. It was my own two-page version of an I Love Lucy episode...
I spent last weekend in Kentucky at the Humana Festival of New American Plays at Actors Theatre of Louisville watching a half-dozen brand new works. The festival is an invigorating whirl of creativity, conviviality and engaging performances.
When I was a high school senior and the teacher who staged the school plays — her name was Mary Price — picked Shakespeare’s The Taming of the Shrew,
there was a lot of moaning and groaning. Why do we have to perform in
some dusty old play from centuries earlier?
In a “Curtain Call” column last August, I
pointed out the scarcity of plays by women staged locally. But I
neglected to mention one of the most important writers of the late 20th
century: Wendy Wasserstein.