A crowd of female playwrights came
together in New York City in 2008 to express their concern that works by
women were not getting produced by that city’s theaters. More than 150
playwrights attended the gathering, resulting in standing-room-only at
It was 35 years ago when I first heard
about a new Broadway musical, the story of a Victorian serial murderer whose
victims were ground up for meat pies. My first reaction to Sweeney Todd: The Demon Barber of Fleet Street was disbelief.
You read that headline correctly. The
outside-the-box thinkers at Know Theatre, the offbeat company that
presents the Fringe Festival every June and other mind-expanding
performances year-round, has a new idea. Led by new artistic director
Andrew Hungerford, this initiative is called “The Welcome Experiment.”
While the rest of us kick back during a
lazy summer, Cincinnati-based actress Dale Hodges is at work honing her
craft. That might surprise some local theatergoers, who already think of
her as one of our region’s best theater professionals; if Hodges is
onstage with a Cincinnati theater, it’s a sure bet that audiences will
show up to watch.
It’s award season in the theater world,
locally and elsewhere, when past work is pored over to find outstanding
productions and performances, accolades are bestowed, “thank you”
speeches are made and egos are boosted or blasted.