Northern Kentucky-based Hip Hop artists celebrates the release of his new EP, Act Accordingly, Saturday during the Beats by Self-Diploma concert on Fountain Square, the MidPoint Music Festival announces its full schedule and the free It's Commonly Jazz series kicks off with William Menefield this Thursday.
Man Man’s greatest sonic attributes could
also be considered its most significant liabilities, particularly by
labels looking to hitch their wagons to a commercial cash cow. And
although Man Man has somehow managed to infiltrate the mainstream to a
small degree with adjustments to their core sound, the band (which
fluctuates from duo to trio to beyond) has retreated only slightly from
its home on the musical fringe.
Brooklyn, N.Y., band Old Monk has referred to its music as “Prog Punk,”
an interesting descriptor considering the two genres were diametrically
opposed back in the day. It reminds me of a scene from the excellent
documentary movie New York Doll, about bassist Arthur “Killer” Kane of
the Proto Punk band New York Dolls, where Chrissie Hynde and Morrissey
are sitting around railing against the excesses of Prog Rock and how it
actually birthed Punk.
With internationally renowned Blues/Rock guitarist Walter Trout recovering from a liver transplant, his bandmates in The Walter Trout Band are touring with U.K. guitarist Danny Bryant and Walter's son Jon in a celebration of his music and to raise awareness about the importance of organ donation.
At first blush, United Nations is a
thrilling, adrenalized Punk band with the sonic markers that define the
genre — political lyrics that range from personal to global;
double-clutched drumming; riffs that careen wildly from oddly melodic to
lethally brutal; vocals that run the gamut from singing in a normal
register to shrieking like a panther caught in a leg trap to the
guttural growl of a Babylonian misery demon.
Back in the ‘70s, John Denver wrote the line, “I’d no
more love just one kind of woman than drink only one kind of wine.” Guy
Forsyth takes a similar approach when it comes to playing music in
general, and the Blues specifically.
It’s Christmas in August this weekend for local Blues
fans. The big event is the 22nd annual Cincy Blues Fest, presented
Friday and Saturday at the riverfront’s Sawyer Point by the Cincy Blues
Cheers Elephant is a blatantly hook-laden
AltPop band that brings a sense of humor and 1960s-era verve to their
sound. With reverb-a-plenty and blue-sky harmony vocals, the up-tempo
band keeps its big beats front and center.
These days, it’s an accomplishment to find something that
lasts 25 months, let alone 25 years. And yet The Iguanas are still
making vital music and crisscrossing the country to present it in its
most elementally satisfying live fashion, a quarter century after the
band’s formation in New Orleans.
The original derivation of a casket (or casquette) girl
referred to an early 18th century female who had been repatriated from
France to the French colonial South in order to marry; “casket” referred
to the small chest that held their belongings.
Coming on the scene in the late ’80s/early
’90s as a new guitar hot shot, Eric Johnson lit up the frets and the
music world with a Grammy Award win for his original instrumental,
“Cliffs of Dover,” in 1991. Though a multi-instrumentalist of the
highest order, he is mostly known for his fluid guitar pyrotechnics.
While most R&B and Dance Pop artists
keep things light lyrically, singing playful songs about the opposite
sex, going to clubs, partying and other just-for-fun subjects, there’s
not much sweetness and light on K. Michelle’s debut album, Rebellious Soul. And don’t look for any typical heartbroken anthems, either.
This Friday, superb Cincinnati rockers The KillTones host an album release party in honor of their new nine-track effort, Raw. Animals. Dance.
The band will be joined by locals Lemon Sky and Philly-based Soraia for
the free, 9 p.m. event at Over-the-Rhine club The Drinkery