the decades have passed and several members have moved in and out,
Supersuckers remain committed to flippant, hooky, high-energy,
underground-friendly Rock & Roll that heavily draws from Rockabilly,
Garage Rock, Country and Punk.
This summer's free MidPoint Indie Summer concerts on Fountain Square feature Wussy, Mad Anthony, Danny and His Fantasy and many other local acts alongside some great national headliners. Plus, Taylor Alexander releases a new EP, Hip Hop collective Cheech Mob celebrates 420 and Electric Citizen announces big tour and new single.
Sidewalk Chalk's just-released second album, Leaves, opens with a live clip in which frontdude/rapper Rico Sisney and frontlady/singer Maggie Vagle ask a crowd to shout out the Hip Hop crew's name on the count of three. It's a fitting intro, for this Chicago octet is, first and foremost, interested in interaction, about stirring minds and moving asses.
On the final night of last year’s
MidPoint Music Festival extravaganza, an old man dropped into The
Drinkery to grab a beer, catch his breath and absorb a few minutes of
Sol Cat’s soulful Psych/Dance/Pop, which had reminded him at least a
little of Walk the Moon’s similarly adrenalized output. He’d expected an
out-of-town show to be sparsely attended, which would theoretically
allow him a seat at the bar and a chance to recharge for the remainder
of the night.
There’s an interesting paradigm in
Folk/Americana singer/songwriter Arlo McKinley’s career. McKinley has only been on the
scene since 2012; his alter ego, Tim Carr, was a back-of-the-stage
fixture for many years. But when Carr moved into the spotlight to front his Arlo McKinley and the Lonesome Sound, he found
it necessary to adopt a new persona to handle the increased attention.
The cover for The War on Drugs’ latest album, Lost in the Dream,
finds frontman Adam Granduciel looking down pensively, his fuzzy,
mop-headed silhouette semi-obscured by light flowing through a window.
The gauzy image is the perfect encapsulation of the Philadelphia band’s
brand of melancholic Psych Pop, a sound at once familiar and tough to
entirely pin down.
When Keb’ Mo’ comes to our area this weekend, he does so 10 days before the
release of his first solo recording in three years. Titled BLUESAmericana, the album’s name captures the multi-genre lines that Mo’ has crossed throughout his career.
Punk Rock covers a lot of serious, meaty
topics — individualism, anger, materialism, rebellion. But as
Guttermouth has proven, Punk Rock can also be about spitting in the face
of propriety for the sheer pleasure of it: They are reportedly banned
in Canada and have a song about a donkey sex show.
In light of reports from shows in Australia and New Zealand (and with a heavy dose of wishful thinking), here are some suggestions for Bruce Springsteen and the E Street Band's set at their tour stop in Cincinnati.
Sarah Barthel and Josh Carter have known
each other since attending junior high together in upstate New York in
the late ’90s. Their friendship came in handy when, in 2007, Carter was
looking to start a new musical project, one in which Hip Hop beats could
commingle with atmospheric Indie Pop. Enter Phantogram.