The props that were not theatrically presented and we assume live naturally in the backstage world of these travelling clowns prove to be the most useful and powerful. An umbrella, a baby pool and a bottle of water provide the most beautiful image of the night: Walley’s patient, nurturing, slightly addled Chesterton makes his own rain to bring his flower back to life. That said, I am still puzzled about the calendar: Why October 2013?
The show is set up as a MixTape and is a mixed bag of, for lack of a better word, skits.
Some moments are quite charming, others quietly moving and a handful feel as though your slightly drunken aunt and uncle decided to take up clowning. There is a nifty soundtrack with most songs hailing from the cassette era of the late ’70s to ’90s and plenty of winsome physical comedy. Walley’s Chesterton had the advantage of character development and long, silent, heartbreaking stares. Horchem had to do more heavy lifting in charming us swiftly with less interesting characters. (They are colleagues of the Wonderheads, and having seen last year’s spectacular Grim and Fischer, I am now forever jaded when I see another clown/puppet version of “old person.” Having also seen 7 (x1) Samurai in 2009, my bar is set over-the-moon high when it comes to mime work.)
In the end, this 60-minute, good-natured confection left us
smiling and better acquainted with a number of our fellow Fringe patrons, as
Theatre 3 very nicely engages the audience throughout. It contains 100-percent
family friendly content and is a win-win for those looking for the theatrical
equivalent of a cool glass of water on a hot summer Fringe night.
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