Both are fine singers and actors, and the show’s score offers fine musical material, especially “My Cup Runneth Over,” which conveys their warm relationship.
This show has remained popular because it requires just two performers (accompanied by two pianists) and a single set: a four-poster bed and a few pieces of bedroom furniture. Co-directors Ed Cohen and Dee Anne Bryll bring out its best qualities, but the show remains stuck in a bygone era. (The program tells us the story begins in 1898.) The stereotypical roles and marital spats, while sometimes humorous, are reminiscent of naïve early TV sitcoms. References to details such as an unseen cook and servants, cod liver oil and a “sleeping helmet” keep the show at a cool distance. The Covedale’s wide stage puts too much territory between Kramer and Hitch when they sit at dressing tables on opposite sides of the proscenium.
The folks who run Cincinnati Landmark Productions know their audience: This is the kind of warm-hearted, old-fashioned show that appeals to their subscribers. At the Sunday matinee I attended, many of them obviously identified with this couple, sighing at tender moments and laughing at predictable marital gaffes. But I Do! I Do! has really become a history lesson more than a romantic voyage.
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