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Colin Hay

May 17 • 20th Century Theatre

By Mike Breen · May 11th, 2012 · Sound Advice
soundadvice_colin_hay_photo_martin smithPhoto: Martin Smith
Australian Pop/Rock band Men At Work hit me — and many other music fans around the world — at just the right time. I was 12 when the single “Who Can It Be Now?” exploded onto the charts. I was intrigued by the group’s quirkiness, but it was singer/guitarist Colin Hay’s voice that initially drew me in. As a huge fan of The Police, I found Hay’s effortlessly high-pitched vocals highly appealing.

In the summer of 1982, Men at Work’s Cargo came out and instantly became my favorite album. I got to see the band perform live on that tour — at Kings Island’s Timberwolf Amphitheater with a new, unknown Australian band called INXS opening — and I spent that summer in France as an exchange student with Cargo (and The Police’s Synchronicity) at my side. Though I didn’t fully yet understand the emotions being expressed on Cargo’s first single, “Overkill,” they still hit me like a ton of bricks and the song was played on my Walkman more than any other that summer.

Just the sound of it (as well as the visuals in the accompanying video) matched up perfectly with my bouts of homesickness.

To this day, when I hear “Overkill” — no matter if it’s the original, a great cover version (the band who did the theme song to the TV show Scrubs, Lazlo Bane, did a fantastic version with Hay and Dashboard Confessional’s version was also pretty strong) or Hay singing it solo acoustic — it sends shivers, particularly when it hits the intense release of the last verse. I remember that ancient sense of loneliness and isolation, but also various heartbreaks I’ve suffered — as a young adult, I finally got the “ghosts appear and fade away” bit and it made the song resonate within me even more.

“Down Under” might be Men At Work’s most known song, but “Overkill” is the tune that will stand the test of time for eternity. Hay is far removed from his Men at Work days now. The band broke in 1986 (though they reunited for concerts in the late ’90s) and Hay has managed to have a modestly successful solo career, still touring the world and releasing strong solo efforts, including his most recent (and 11th overall), Gathering Mercury, perhaps Hay’s finest solo moment yet. His songwriting still has emotional weight and substance (as well as great hooks) and if you catch his local show this week, he’ll definitely play some old favorites, will surely says some words about his recently deceased fellow Man At Work, Greg Ham, and undoubtedly charm the pants off the whole crowd with his legendary sharp wit.


COLIN HAY performs Thursday, May 17 at the 20th Century Theatre in Oakley with Chris Trapper. Buy tickets, check out performance times and get venue details here.


 
 
 
 

 

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