But she’s taking steps.
Sherry is surrounded by people with dysfunction more profound than hers. The impending marriage of her older sister has crashed and burned; Grace (Joanne Tucker) now leads a semi-comatose existence curled up under an afghan on the couch, watching and re-watching Top Gun and cozying up with a bottle of Jack Daniels. Their mother has withdrawn to her upstairs bedroom, embarrassed by a significant weight gain and unwilling to be seen even by her daughters — let alone the audience: She phones them to talk.
Joseph Moore (Darrin Baker) is the awkward, starchy principal who was Sherry’s mom’s prom date years earlier — we’re reminded by tunes from the ’70s assembled by sound designer Joseph Olivieri — who has an ulterior motive for hiring Sherry. His slacker son Zack (Eric Nelsen), age 19, has been having outbursts of anger since his mother’s death. Joseph thinks Sherry might help Zack, not realizing his own issues.
That accounts for five depressed characters trying to cope (including the unseen mother). There’s one more: A tiger on the loose from the local zoo that has the local citizenry — or at least the junior-high principal and his rifle — on 24-hour alert. But the tiger (another invisible character who shapes the action) is the embodiment of everyone’s angst, in need of being stilled. When we finally learn about his actual appearance in Zack’s amusing story of their encounter, he’s not in the best of moods either. But he’s really more disgusted than predatory.
Humor is the byword throughout Tigers Be Still, which runs for about 100 minutes without intermission: It’s broken up by pop culture references in terms of movies (especially Top Gun), TV shows (one scene is set to Family Ties) and music (e.g., “Lean on Me,” Bette Midler’s “The Rose” and the Beatles’ “Norwegian Wood,” which conjures a particularly momentous event in the brief relationship between Joseph and the girls’ mother — cleverly re-enacted by Nelsen and Kyler playing their parents).
Despite the laughs, there are touching moments between the sisters and between father and son, and we see dark threats hovering around corners for each of them. The pattern of large tropical leaves on the floor — the set (designed by Michael Schweikardt), while basically the women’s home, also serves as classroom, several drugstores where Zack works, the principal’s office, a closet full of shoes and so on — reminds us all the characters live in a jungle. The story resolves in some simplistic but acceptable ways that make you glad you took the time to watch Sherry’s story of “how I stopped being a total disaster and got my life on track and did NOT let overwhelming feelings of anxiousness and loneliness and uselessness just like totally eat my brain.” It’s a collection of wholly contemporary characters and events that makes for an entertaining slice of modern life.
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