This is tough stuff for even the most accomplished improvisers, but Johnson seems to have a few artistic axes to grind, and the material can quickly become aggressive and sexual, or both — at least on opening night.
To Johnson’s credit, there were a few insightful moments that were worth being present for, and he has great singing voice when he decides to deliver his thoughts musically.
It’s hard to comment on the content of the show, as the staging and premise are intentionally minimal and will change with every performance. Still, if you are looking for art that feels a little dangerous and doesn’t really care to play nice, you’re ready for Matt Johnson and Tooth and ’Nuckle.
(Note: I fully expect that he will rudely mock this review at all future performances.)